Japan’s Traditional Lines In The Application Of Modem Graphic Design

The turn of the century, the concept of "design learning" by Japanese produce, and was introduced intoChina. Design the emergence of Japanese technology that learn art theory and practice the development ofthinking. The traditional process in the history of art creation is unique material culture and spiritual culture,system the carrier of culture, its design, graphic style, pattern to the development of the arts because itscriticism, rheological, turning, innovation has distinctive brand era. Especially by time changes, and thesocial economic development brings the form change and ethnic and cultural exchanges and integrationprocess produced in new development theme, form, connotation and become the designs of research. Japandesign development so far, its believed to development skeleton two: one is the traditional culture,particularly the national culture and inherit and develop,2it is to the modern innovative design cultureexcavations. Formed a "traditional and modern parallel" of the Japanese design development form.Graphic design is visual communication design of one of the three elements. In the1920s, graphicdesign with the development of modern design and becoming visual communication design is an importantpart of. It is meant to "design", see in the song book:"since the han xing, little good since the druid, andgraphics made a temple will do." And the modern sense of graphics to design as the reference surface usedto transport the design, design, plane painting form of creative expression. Along with the subject matter,the expansion of the form, content and creative performance and higher requirements, graphics designespecially graphics of the use of creative thinking, and promote by2d graphics in the plane of themultidimensional visual thinking to the symbiosis of culture. In its evolution process also encountered"modernity" changes. This paper is trying to "traditional lines in the application of modem graphic design"as the Angle of view, graphic design form and the study of the method of design thinking. In the research process, in this paper, the characteristics of the traditional lines and contemporarygraphic design elements based on the requirements of Japanese traditional lines used in the analysis of thepossibility and necessity of graphic design. Discusses the Japanese traditional lines of the development ofhistory and important node. Second from Japan graphic design of contemporary, from design element,aesthetic psychology and cultural thinking, evolution form looking for Japan traditional lines used inmodern design performance and the existence form, and choose excellent graphic design master works areanalyzed, such as a light, sato sway tanaka, a turtle CangXiong strategy etc, looking for Japan to theintegration of traditional pattern design and modern thinking methodology. This is also the focus ofresearch in this paper. The "traditional and modern" the cultural circles and design of the main topic ofacademic thinking, inferences Japanese traditional lines in modern design development direction and trend.The western scholars from the behavior and psychology, the development of the human culture isdivided into three levels: the survival, enjoy, create. In a material of pleasure, spiritual pursue foreverembodies our human.Not only is the biological sense, is a society, however, when the material prosperity, people for the lifeof the mind to pursue the month. The traditional pattern, pattern for load bearing throughout the excellentnational culture of qualities and contain profound design thinking, so can beautify the meaning of life andsocial services. The characteristics of the traditional lines er decided it must also in the process of moderndesign into developing evolution can be used for the dynamic to modern design traditional services.