The Rhythm Of Dramatic Structure Of Cao Yu’s Drama

Cao Yu’s drama represents the maturity of the Chinese drama. Cao Yu’s drama has a perfect structure,to study the structure of Cao Yu’s Dramafrom a rhythmic perspective, which is favorable to reveal the special law of creation of the Cao Yu. From his unique personality and his impact on the rhythmic structure of his drama, he had been subjected to the traditional Chinese culture, especially the dip of the traditional Chinese opera culture, well versed in the law of the stage. He is obedient to Zhang Pengchun action rhyme to say "works are full of emotional rhythm; from foreign dramatists of the body to absorb nutrition:Shakespeare serious and harmonic conversion, Ibsen found the sudden turn of dramatic structure practice, deeds blame husband unified structure of a sudden discord, O’Neill ups and downs and theater practices and fair and reasonable. Embodied in the works, the first performance of a unified complex structure for the relationship between the characters, similar in personality, as the relationship between the characters reveal new suspense, and continuously expand the audience’s psychological space, thus forming the rhythm. Followed by the performance of the plot repetition, change, progressive layers of bedding, until the climax. The final performance of the deployment of the scene, between light and dark scenes, relaxation and so on alternately to produce the rhythm. The rhythm of dramatic structure, resulting in a unique stage effects, giving the audience a different kind of sensory experience, which marks the China Drama write the person’s maturity.