Craft Heritage And The Protection Of

As the high-speed development of globalization and modern society, the world hasbecome multicultural and wild pen, change is all over the world. Traditional handcraftshave been lashed out by the new awareness and the trend of machinery, especially thoseneeds very elaborate handcrafts like Hunan embroidery.How can we protect Hunan embroidery which is the ancient folk art while it doesnot lose its own inherent characteristics, and it can continue to innovate and develop?The paper aims to highlight the cultural attributes and the human spirit of Hunanembroidery to explore its artistic value and social value with a full range of research toits origin, craft, heritage and protection. Combine with the interrelated theory andresults, to bring some suggestions for the creation and protection of Hunan embroidery.Therefore we can ensure that this ancient and magic traditional craft will always be ableto shine bright and will never be forgotten.The history of Hunan embroidery was not always been smooth sailing. Based oncollecting and collating vast material of Hunan embroidery such as craft, culturalidentity and non-material cultural heritage protection documents, this essay is trying tobring some new idea to the development of Hunan embroidery. The writer went toChangsha, Hunan to investigate the local Hunan embroidery workshop and tape themanufacture process of Hunan embroidery as the first-hand information of this article.The writer aims to find a new model of Hunan embroidery’s protection anddevelopment based on the study of its origin, classification, craft characteristic andculture value. Therefore bring it to a great height of development.This article firstly introduces the background of Hunan embroidery, to analyzeother scholars’ related research, to find out the achievement in this area and point outthe lacking aspects of those research. According to those researches, we couldunderstand the development of Hunan embroidery. Pave the way for next chapter.The following chapter studies the elaborate manufacture process of Hunanembroidery specifically, such as the tools、 the material. By analyze the actualembroidery work to point out the different design efforts by multicultural origins. The last parts of the essay combine the principle of non-material cultural heritageprotection files and other region’s embroidery developing model, thus to provide acomprehensive and systematic analysis of Hunan embroidery’s development, to make alittle contribution to the protection and revival of non-material cultural heritage.