The Study On Rhetoric Of Hun Jia Ge Of Zhuang

Zhuang is an ethnic that they are good at singing. From the “YueRen Ge”（two thousand years ago） to the folklore competitionbetween “Liu Sanjie” and “Bai He xiucai” in the Tang Dynasty, balladrun through the life of Zhuang: from the entertainment of God toman,from the cradle to the grave. These precious ballads contain ahuge number, variety and unique rhetorical phenomenon. We chooses"Hun Jia Ge of Zhuang" circulating in Guangxi red water riversideDong Lan Rural, collected by Comrade Qin Jianping, as a rhetoricresearch corpus, study on its figures of speech for monographic. Thisthesis is composed of three parts.First, Types of figures of speech in “Hun Jia Ge”. The number oftypes of figures of speech in “Hun Jia Ge” is mainly twelve. Thereare two types of figures of speech embodied the beauty of sound oflanguage, which is Rhyme, Pingze. There are three types of figures ofspeech embodied the beauty of balance of language, which isAntithesis, Parallelism, Huwen. There are one type of figures ofspeech embodied the beauty of change of language, which isHyperbole. There are two types of figures of speech embodied thebeauty of specialty of language. They are Reiteration and Shewen.There are four types of figures of speech embodied the beauty ofconnection of language. They are Metaphor, Jiedai, Bixing.Second，The effect of figures of speech in“Hun Jia Ge”. Take themetaphor for example to analysis the effect of figures of speechin“Hun Jia Ge”. And it’s generating mechanism, the developed imagethinking and implicit national psychology.Third, The cultural characteristic of figures of speech in“Hun Jia Ge”. From the angle of material culture, system culture andideological culture to explore the figures of speech in “Hun Jia Ge”and the reasons.