Qi Biaojia And His Opera Theory

At late Ming and early qing dynasty, Qi Biaojia is an important adrama theoretician, his opera theories with the development of the historyof ancient drama criticism of tide of premise, not only to deepen theabsorption and previous opera theory results, also in the late Mingdynasty special cultural ecological and influenced the personality isdistinct aesthetic interest and music theory thought. Research Qi Biaojiamusic theory, which helps improve the Ming and qing dynasties of thetransition period drama theory development history, are also good foranalysis of the Ming dynasty social cultural environment.Full text briefly summarized the main content of the theory QiBiaojia drama, and in the previous research Qi Biaojia opera theory, andon the basis of further exploration of the Qi Biaojia song with times andregion, and Qi Biaojia grasp the tendency of development opera theory.The first chapter of the late Ming dynasty, the wu and yue musichistorians jinggong xinxue trend, the wu and yue opera culture and theassociation Qi Biaojia ethos and the correlation of opera theory discussed,to expose them to the great influence of QiShi opera theory. The secondchapter Qi Biaojia concrete analysis of the representative works "thedistant Qu Pin hall, play product" theoretical value, to reveal Qi Biaojiamusic theory in Chinese classical opera history of the balance of power.The third chapter through the first quarter QiBiaoJia and LvTianChengopera theory comparison, grasp their similarities and differences, we canbe more clear understanding of Qi Biaojia of Chinese classical dramatheory to inherit and innovative points; The second quarter through the QiBiaojia and diderot represents the comparative study of the Chinese andwestern drama theory, the more bright and profound Chinese classicalopera theory to reveal the inner quality. All in all, Qi Biaojia drama theory inherited and developed WangJide, Lv Tiancheng other music criticism of home thoughts, and breakthrough the traditional music theory category, is the ancient Chinese anearly start to concentrate on the narrative art music theory of home for thetraditional "song" consciousness of modern significance with thetransition to "play" consciousness which has played a positive role. QiBiaojia drama to the research of the theory,.