The Study Of The Opening Remarks In The Legends Of Ming And Qing Dynasties

The opening remarks is a portion of Southern Drama and legend, It is the script creation and the stageshow in the first step, its existence form and development process, in fact is the writer ’s thought, aesthetictaste and the level of appreciation, performance form, performance venues and many other factors play arole in the outcome. Different form. Although there are some meaningless jargons in the opening speechwith different forms and different names, also involve creative ideas and ideals. In addition, studying thisimportant opera performances, Will help us to understand the Aesthetic feeling of the opera from theperspective of the interaction of the audiences and writers, thus understanding of its aesthetic value.This article takes the opening remarks in the Legends of Ming and Qing Dynasties as the main objectof study. And try to analyze the concept of the drama contained in the opening remarks,then from theperspective of performances in the stage. Understanding the aesthetic manifestations which reflected in theopening remarks. On the basis of collating the relevant information, The integrated use of the methods ofinduction, deduction, typically research, combined with macro-and micro-combination.On the basis of acomprehensive analysis and inspection, having an objective understanding the drama concepts andaesthetic values conved inthe opening remarks of legend s in Ming and Qing Dynasties.This article is divided into three parts: introduction, text, conclusion.Introduction:Outline the attention about the opening remarks which is the opera primary links in theacademia,and clarity the significance and research methods of the subject.The text is divided into three chapters:Chapter One:Collation and analysis of the opening remarks of the stage of development and forms.Since the opening remarks is an essential first step of Southern Drama and legend,So through reviewing theevolution process and the form type in all stages, can help us recognize the diachronic changes of theresearch object.First of all,look at the Script of the drama, such as three dramas of Yongle Dadian,sixtydramas,a series of ancient drama,the legends in Ming Dynasty and so on,take them as the object of study,Inducting and classificationing of the form of development and evolution of the opening remarks. Thischapter will divide the Phase type of the opening remarks into three categories: The first is the openingremarks of Southern Drama, the second is the opening remarks of legends In the middle of Ming Dynasty, the third is the opening remarks of legends In the end of the Ming Dynasty.Chapter Two:The concept of the opening remarks of Ming and Qing legend.On the basis of readingthe dramas carefully, searching the sand for gold, will inducting and classificationing the idea of the dramai contained in the opening remarks,and contact the theory of dramas,the history of the authors’ lives, thesocial background at that time, the content of the script and reaction, analyzing one by one.This chapter is analyzed from three aspects which reflects the concept of Drama: First, the openingremarks and pursuiting consciously the independence of the dramas. Expressing their ideals Indicates thatUsing this art style to express theirs ideals and interests has become a conscious act of creation,this is alsoIndicate that creators are pursuiting the independence of dramas consciously on the other hand. This sectionis divided into two parts: First, the authors express their ideals directly in the opening remarks; In second,the opening remarks reflect the argue on the theory of dramas. Including the content and form of which isthe first, about the core features of the dramas,and argue on the Simple or gorgeous.These arguments enrichand improve the traditional theory of dramas, so that people have a better understanding on thecharacteristic of dramas gradually. It reflects that the evolution of the theory in the creative process, theevolution and maturity of the theory is that creators are pursuiting the independence of dramas consciously.The second part, opening speech conveys the legendary spirit. This section is divided into two parts:Meaning is more important than contents and euphemistic.The third part, drama theory in the opening remarks. This section is divided into five parts: the plotshould be intricate," strange"," misunderstanding"," Coincidence", Truth and fiction, use vivid action toexpress and point out the main idea directly,rendering the atmosphere.Chapter Three: The aesthetic value of the opening remarks in Ming and Qing Dynasties.The evolutionand gradual fixation of it, Is not only a kind of origin and inheritance, but also the author got the" gold" Inthe long-term" screening",combined with the performance From the perspective of the audiences’ reactionin the creation. As a result of the decision to the position and the value of the play is the main factor for theaudience’s acceptance consciousness,so the decision of the evaluation of whether it is "gold" lies in theaudience.With the acceptance angle to replace a single angle of creation and content,by focusing on theacceptance process is described to replace a single researching for the phenomenon of text, becoming anecessity. In this chapter, use the concept of" window", analysis the aesthetic value of it from the dynamic perspective of the “stage”.The set of the opening remarks in Ming and Qing Dynasties, both opens theaesthetic" window" before the performance for the audience, Closer the distance to the audiences and stage,at the same time, because emphasis on the characte of" performances" in the opening remarks of dramas,keeping a certain distance to the audiencesand the stage. Between the “close”and the”far”, it maintains aproper aesthetic distance,audiences can enjoy freely, Scheduling feelings freely, give full play to theirsubjective initiative.Thus, this chapter is divided into two sections: One is to open a" window"--differentspatial connection in the interior of the theater;The two is “looking outward”the “window "--into and outof the different space in the theater.Conclusion:the full summary of the text.