| WuChangshuo our modern well-known set of poetry paintings printed in one of the art master. Whether he’s painting and calligraphy seal, or poetry books are revealing an vigorous Yu Bo gas. Its picturesque stone, dash. Majestic. WuChangshuo ink inspired ink painting series, emphasizing the strength of a pen, the pursuit of the stone interesting; quaint vigorous use of ink; large-scale cooperation in the composition and potential to take in air, trying to use the art form has obvious personal style to express the flower charm, as well as flowers, feelings and attitudes.Paint is regulated by a gas, the jis ink pool point out the autumn, bitter iron draw air painting shaped such verse of Changshuo poetry visible "gas" in the arts and painting style of Changshuobig."Qi" is the artist’s inner spirit of the main, implemented through the "potential" to create in order to extend the spirit of the subject’s life to the language of painting. Artistic creation is intended to show the artist’s subjective feelings and attitudes. In this paper, of Changshuo painting style is characterized by research, analysis of gas and creative relationships, and learn the essence of painting-the "gas" and "potential" to make their own creativity to new heights.This article is divided into four sections, a simple analysis of the first chapter of inspiration. My inspiration comes from life. Flower and I have emotions that are difficult to let go. Not only because of the beauty of the external appearances, that it is the warm memories of my childhood and confirmed. I tried to use the art form has obvious personal style to the performance of the charm of the flower. Chapter II of the gas by Yu Bo, a painting in the book, opening and closing to take potential, ink color germinal four sections about of Changshuo painting on my inspiration. First of all, the ink of of Changshuo the Pa defended and Yu Bo in the air. He described the stubborn and unyielding branches, generous passion the Ngong the inscriptions, perfect match with the vigorous and effective ink, fully demonstrated the feelings of the chest agitation spirited. Tuojin traditional literati hermit humbly misty air, and replace them with life and death upright uprightness Changshuo painting unique mental outlook. Then, by the book picturesque points and opening and closing take the situation analysis Changshuo painting "qi" and its ink and composition. Changshuo chest pride layout and ink to be demonstrated, it is necessary to pay attention to which momentum. Changshuo painting is very particular about the layout, which highlights the screen momentum. He is good at absorbing calligraphy and seal of white cloth, painting images of modeling multi-Running Script"" and "female" and other pattern. Common diagonal take the potential to form a ready visual tension. Finally, Changshuo the painting Nongli full colors of France, able to meet with pen and ink complement each other, off each other, constitute the artistic characteristics of the of Changshuo vast ancient thick, Nong Li forceful. These give my creative greatly revelation.The third chapter is a discussion of the paint is regulated by a gas. Changshuo painting in the heroic, noble, Yu Bo, the gas and outgassing, also depends on his welded general sophistication ink. Capabilities of artistic creation depends not only on the mastery of the essence of painting skills, but also to strengthen the intrinsic gas, that is. personal cultivation is the so-called Mencius "I cultivating my Noble Spirit"The fourth chapter is my creation "ink flower exposition. Tension through the composition structure and momentum, written form of God,"the stone the intensity of a pen. ink and color contrast and coordination of the four parts of the organic analysis. First of all. the ink flower stressed the composition of the overall sense, and the overall momentum and tension. Second, emphasizing the intensity of a pen and a pen writing. Then, stressed that the write-shaped creation of God. The creation of the initiative should play a direct expression of the poet, to describe the object rather than passive. I painted flower shape and posture in chest-road bent before you can try to figure out, imagine the look of the flowers, write deceitful like divine intervention, so that the drawing paper metamorphosis for the beauties of springtime. Finally, the use of ink color should be coordinated, focusing on the style of the works to avoid flashy colors.Chinese paintings can not indulge in the pursuit of individuality and visual impact, but should be sought in the traditional road of innovation. I learn from Changshuo, learning the essence of his paintings, emphasizing the works artistically and momentum. Usually focus on reading the Yang Qi, strengthen the quality of individual artistic and intrinsic gas. For the sake of visual breakthrough in the creation of the use of some modern composition of form factors; vigorous and dignified air in order to strengthen the work in the creative daring with some new material. These attempts in the creation of my graduation, have produced a better visual effect. |
