From the 1990 s to the beginning of the 21 st century,China has gradually entered a period of modernization and innovation from reform and opening up.Especially in recent years,the rapid development of information technology has brought unprecedented changes to people’s lives.Similarly,as a product of this period,the author witnessed the transition and change of these two centuries.As the author is engaged in oil painting specialty,and has more contact with female painters of the same age,the painting about female theme has collided with my artistic interest.Therefore,the author hopes to combine modern culture with young female images,reflecting the characteristics of female painters at this age: feminist modernization from the perspective of personality.On the theme of creation,the author uses flowers as a major element to set off the image of women,metaphorically expressing the beauty and beauty of women from the image,color and language of flowers,while "painting" makes the definition of "women" concretely,and will separate and highlight the differences and temperament characteristics of female painters of the same age.Therefore,the author tries to find an artistic language between "flowers" and "paintings" that conforms to the image of contemporary young female artists.After many attempts,the author decided to use the thick pile of waste pigments and decorative techniques to create a series of "Flower Painting Girls".The article is mainly divided into three parts.In the first part,the author takes the personality characteristics of young women as the breakthrough point,combines the images of "flowers" and "female painters",tells the origin of creation and the author’s thoughts in the whole creative process.The second chapter is an important chapter.On the basis of the above-mentioned theoretical research,the author combines his own specific practical works to make a detailed description of the use of waste pigments,the performance of picture color,the pattern of composition and other aspects,as well as the problems encountered in the process and solutions.The third chapter is the thinking of the overall creation,through the theory and practice of these two aspects,the author explores the performance of female artists,summed up their own painting style. |