Discussion On Formation And Evolution Of He Xiang Ning’s Painting Styles

As a revolutionary and female painter dual identity he xiang ning, its style of painting form is acomplicated process, simple said after the ling nan, Japan style and Chinese traditional style and westernrealistic painting multidimensional integration, and the painting is always the revolutionary practice andpractice of the organic integration in together, in the practice of revolution, he xiang ning style from "theego" gradually rise "I", and will be a very good western painting honesty factors and classical Chinese inkand wash painting performance to be very good fusion, fusion in the expressed her as a womanrevolutionary’s main body consciousness. This subject consciousness from when he xiang ning with, andresolutely xue, on which is bound feet, in the subsequent married couple with liao zhongkai after the of partto reveal, with the depth of the revolution and the increase of saving consciousness, he xiangning chose tostudy abroad, in order to seek the way of saving, in Japan to study painting process positive in thedemocratic campaign saving, joined the union, and follow Mr Zhong shan positive for the service work,later in the practice of art, he xiang ning constantly in and out of ling nan school houses, and also we arepainting the traditional exploration and modern explore, in the style of the formation of stage, experiencethe following Japan’s picture on the foundation of the fusion; Ink painting turn and the rational use ofsponsors techniques, these kinds of exploration and practice are reflects in painting style he xiangning forintegration bold attempt, but in the fusion of Chinese and western painting of the differences in practice, hexiangning has not completely out of the Chinese painting style ink advantage not fully attached to thewestern painting strong realistic function. But in order to control the ink paintings modelling and stereomodelling the relationship between the two. And in the new Japanese painting of integration, he xiangninghas taken a lot of innovation of means, this kind of change with one hand still obvious Japan painting stylefeature: like in the sky and the processing of ink painting is still large area of rendering process, in the thickof the ink to the color of vigorous DianRan, on the other hand, she use a lot of Chinese landscape paintinglanguage to embrace the technology of Japanese style paintings, make the Chinese painting with inherentwords about rocks of the program’s advantage, also have Japanese paintings in the rendering and foilatmosphere advantages, in the processing of plants, show that the Chinese traditional painting pen and ink advantage in language, the use of very great flourish chapped law to portray the texture of pine sense, andat the same time, use adornment sex is very strong technique of the rich to deal with background. And inpainting subjects, the lion and tiger and flowers and trees is he xiangning often do content, the lion andtiger performance shows the sponsors of the shape means he xiangning for strengthening and for the freeuse of ink painting modelling combination, and also appear in moral rich in deep meaning, to the lion andtiger to describe "the awakening of the Chinese nation, and revealed he xiangning for national peril ofaffection; And in flowers and trees on the processing of also is so, whether the plum flower, orchrysanthemum or pine trees, he xiangning pay attention to the different object itself to the face of thedifferent ways with the pen and the difference, the shape means blends the traditional Chinese paintinglanguage rich freedom and the language very rigorous regularly, both harmonious be unified. This is hexiangning as a female painter to stylized a sign. With the establishment of the new China, he xiangningpersonal painting style also with the flourishing of new China and appear gentle quietly elegant, in the styleis not in old China period of that kind of obvious struggle consciousness and spirit of conflict.In general, the meaning of the research he xiangning through he xiangning style of painting formationand development and establishment of the process to reveal its painting practice and revolutionary practiceinteractions, and personal character and the influence of the painting article directly, and will be "the ego"rise to the understanding of the value of the spiritual self.