Images Of "Heros" Of Chinese Kung Fu Films In The Era Of Globalization

Chinese kung fu films have almost the same length with the Chinese film history, in the eyes of Westerners, it is recognized as the most Chinese characteristics and ethnic color film type, it is the best way to pass a piece of traditional Chinese culture species. Lyon Hunter, British scholar, Kung Fu Idol-From Bruce Lee to "Crouching Tiger, Hidden Dragon ""’Kung Fu’has permanently become a part of the transnational imagination.Kung fu "Heroes", as the carrier of the effort, to some extent are regarded as representative of the Chinese nation, the "hero" image naturally as a national image of the typical art. In each stage of development of the kung fu movies, has different characteristics, a more concentrated effort "hero" image they have in common is muscle mass and strength, which uses a kung fu/martial arts to conquer opponents, and strong self-presentation consciousness, but since the twenty-first century, Hop film has become increasingly evident in the trend of globalization context into this kind of "hero" image gradually from the hard show to soft probation, especially after2008three kung fu films, starring Donnie Yen’s "Ip Man ","Ip Man2:legend of the Grandmaster,""Legend of the Fist","heroes" with a detached attitude-"Confucianism Soldier"-lead kung fu movies to a new life.In this paper, on the basis of previous study of kung fu movies, the definition of kung fu films and stage of development to define and explore the action hero image to the Donnie era of transition from the Bruce Lee era, new era,"Confucianism Soldier" image of the necessity to conduct feasibility studies and further analysis of the Chinese kung fu movie heros in shaping the trend.