The Evolution And International Research Of Chinese Kung Fu Film

In Chinese kung fu Film, there are deeply relationships in Martial arts and Ethicsand religion and philosophy. The essence of the traditional culture of Chinese is in thekung fu Film which is the public way for people to understand Chinese society andhistory. Because of the difference between eastern and Western cultures, the conceptof martial arts film is not acceptable to the west, for the internationalization of the film;the paper redefines the concept of Chinese Kung Fu Film. Honor and commercialvalue of kung fu films made at the turn of the century China is compared to the othertypes of films《:Crouching Tiger, Hidden Dragon》，《Hero》 award-winning frequent,in the North American foreign language films at the box office charts insurmountable,《Hero》opening a new era of Chinese commercial blockbusters, China’s film industryhas played a role in promoting development. But today’s Chinese kung fu Film are notas glorious as before. The evolution and the internationalization of Chinese kung fuFilm is the main research direction of this article, and we will provide rationalizationproposal for the flourish of Chinese kung fu Film,In this article we study the Chinese Kung fu Film by the Chivalrous spirit duringdifferent period of Chinese History, Distinguish between the Chinese Chivalrousspirits with the Europe Knight spirit.In the historical perspective the kung fu Film this type of film on the film andtelevision art and the whole chain Chinese twentieth Century literature view. On theone hand, we divide tradition sword play and Modern kung fu film and Modern Actionmovie by the Kung Fu Film time. In foundation of the Republic of Kung fu Film,Republic of Kung Fu film is separated from the Modern kung fu film. Because theWushu was also called ‘Chinese martial arts’ during the period of the Republic ofChina. Not only in Folk but also in the army, it was the golden time for thedevelopment of Wushu. On the other hand, there are different meanings for thechivalrous spirit in different historical periods. From the traditional Knight to theModern Paladin and Modern Special Forces, the knight spirit is defined by the historyand the field. In this article, it presents the Hero in the main melody movie such as policeman and special soldier are the carrier of the knight spirit in modern society. Wecombine the Kung Fu element and melody movie to solve the low box-office problemfor high artistic value of main melody movie. It can not only hearten the morale ofChinese Movie, but also let younger have more acceptance of the Mainstream values.In the aesthetic dimension, the Wushu in the film is not only for the show ofChinese traditional skill, but also we could find the true beauty of the skill. Gentle andmasculine are the different Aesthetic features of different Historical and culturalsituation. The Aesthetic of Kung fu was evolved from Symbol to Lyric and Narrative.Symbol represents Cultural connotation of Sword and fist. Lyric presents theindividuation of the movie director. Narrative presents the importance of the Kung fufor drive the movie plot. The threes represents the evolves of Wushu Cultural historychanges.According to the view of International and the Artistic achievement andcommercial value, we compare the Chinese Kung fu Movie and the USA superherofilm and the Samurai movie. Find the advantage for rise the Kung fu film of China.First it can only be the Evil movie in the west world countries. But after generations ofChinese movie makers efforts, Kung fu Film become the most International influencefilm style of Chinese films. Some Hollywood movie copy the style of those Kung fuFilm.This article discusses the Evolution process of nationalism in Chinese Kung fuFilm. It appeared first in the movies which status happens before the modern china.Such representative work are 《Five Fingers of Death》 and 《Fist of Fury》. But theseries of 《Wong.Fei.Hung》made by Xuke turns to the Inclusive Nationalism style.Those movies did not vilify the foreigner. As the new era began, Chinese people gainsmore pride during the growing of China Power, and they did not need to see tortureforeigners in the screen for fun themselves. So now the Kung fu film theme becomesthe yearn for the traditional Kung fu and the essence of Wu and knight sprit.The Chinese Kung fu film are now in the low level. So they need to keep up withthe times. There are other elements such as Movie Virtual Technology and Comic andAnimation and Immortal Knight could be combined with the Kung fu Film. The Kungfu Film will be the Cultural card of Chinese image. So they should never blindly emphasize and render violence spirits in the screen now, they should advocate the artand beauty and the traditional Chinese Culture and the Positive energy.