A Thesis In Studies On The Harmony Of Acoustics Appliances In Western And Chinese National Orchestra

This essay focuses on the harmonious using of acoustics appliances in Western and Chinese orchestra. It illustrates the significance of harmony in an orchestra by showing the effects of performance given by different acoustics appliances.The essay is composed of seven parts. The preface is about the aim of the research in the light of present achievements and the methods adopted by the author. The first chapter concerns about the basic concepts of an orchestra and its acoustics appliances. It elaborates on the formation and respective characteristics of western and Chinese orchestra so as to show the different trajectory in acoustic appliances development due to the distinct aesthetic ideas in western and Chinese culture. The second chapter demonstrates the influence of acoustics appliances on the formation and placement of an orchestra. Here the author analyzes dialectically the mutual influence between the Chinese and western acoustics appliances in an orchestra. The third chapter is about the major elements in harmonizing the use of acoustics appliances, which comprise musical quality, tony system, and intonation. The fourth chapter concerns about the harmonious performance among different acoustics in an orchestra, both Chinese and Western one. The fifth chapter "Chinese and Western play each others work and audio fusion " this chapter with a specific spectrum of cases, examples of work in the use of sound in the band, sets out for the band features the works of their own is the best and further emphasized the development of the national character of sound prospects.The last part emphasizes on the importance of harmonious performance given by acoustics appliances, where both Chinese and Western orchestras play their irreplaceable roles on the music stage of the world.