| Exhibition architectures are needed by people to record history and expressnational pride with the development of economy and culture in recent years.At thisgreat moment in history exhibition architectures become far more important, andowing to the rapid changes of those architectures’s expression form at now days,there is an opportunity for cultural’s development which brought by architectures’rich and colorful theme.The progress of science and technology for designers offers avariety of solutions, however, how to balance the exhibition architecture’smemorable sense and thediversity of experience with the designer is still a bigproblem.As an abstract word that place experience means the combination of constructionspace, material qualitative, light and all the people’s true feelings about architecturalenvironment which constructived by cultural factors. Plays which directed byarchitectsare opening up since the moment people involved in the building, peoplefeel exactly the careful arrangement of everything, although this kind of feeling is soobscure, yet it’s real existed. Most of the architects are good at dealing with theseissues,however, the whole performance are doomed while many people were attachedgreat performance importanceto the relationship between function and forms, insteadof the most pureexperience.We also not attempt to find an socalled"universal truth", just as husserlnotexpected an conversation between phenomenology and architecture when those theorywere founded.This article is trying to use phenomenolog’s methods and also therecords of users’s direct experience,and even analysis a large amounts of successfulcases about how to make it, then finally find an efficient way to construct exhibitionarchitecture’s place experience. |