| The main purpose of this thesis is research on the interior space construction of thebuildings in Qin and Han dynasties. Through the longitudinal analysis of the inner spaceconstruction to get the artistic characteristics of it. This thesis focus on analysing thefeatures of surrounding elements and decoration of the space in Qin and Han dynasties,but also demonstrating the artistic features of space and furnishings. In order to get themost objective proof results,the arguments of this thesis come from archaeology andrelevant documents, it also uses the method of Graphic Arts and so on.many discussionsas a reference for historical and cultural image literature, laying the groundwork for thelongitudinal extension of the artical and the argument convincing.Firstly, the thesis was writing according to the phenomenon of Qin&Han periods’large historical time span. It has sum up the Qin dynasty’s culture separately to Handynasty’s culture, Qin&Han culture came to the conclusion "ceremony" as the coreideological charactetistics. while also synthesizing a set of the developments of Qin&Han periods’ manufacturing and building technology. From which we can drew theconclusion of its historical culture development and the background of the constructiontechnique and art’s development, also can we get a prerequisite discourses upon theculture’s effect on architecture, and interior spaces, while also upon the effects of buildingtechnology’s development to inner space construction. That’s the basic link of the researchproject.Secondly, through the development of argumentations from the cultural ideas,buildingtechnology and image data,historical documents, archaeological reports to analyse thecharacters. It demonstrates the Qin&Han Dynasties indoor space,forms of organigation,indoor interface decorative elements, Development of furniture,furnishing, lightingdesign. It comes to a conclusionby recoganizing, analysing and demonstrating. then,it willcreat a frame structure of interior space. |
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