Traditional Chinese Aesthetic Culture Of The Minnan Stone Carving Art Of Hui An

In this paper, the subject is Traditional Chinese Aesthetic Culture of the Hui'an stone art.For a good illustration of this object, I put it in the traditional Chinese vision of aesthetic culture down the investigation, which see the contents of the typical culture of crafts art and folk's idea in the performance of traditional value of Chinese aesthetic culture. On the basis of some understanding the law of crafts art culture, I give development of the art of stone carving Huian a new framework, in order to describe the different performance in different periods of its history. As the traditional Chinese art culture shows a very distinct quality of art and crafts in the real world, so the relationship between them and the cultural development is too close. On the one hand, and cultural needs of different periods of the provisions of their shape, so they are marked with the stigma of the times; on the other hand, they form the development and promotion of the cultural needs of the people to start their own reflection, resulting in feelings of new cultural norms on the basis development of the arts, making it a symbol of the new culture. Hui An is also the development of stone carving art like this. It was gotten pregnant by the spread of the Chinese stone culture in Fujian, and was born with the development of Fujian's regional culture, then down, that is, local culture and aesthetic culture, the double impact of continuous development and growth, until it becomes influential folk arts and crafts in the world today.In view of this, Minnan stone carving art, not only is a special art products, has its own development path, language expression and image features, but also a special cultural products that help us understand Minnan's people and culture. For this understanding, I view the Ao Park as a monument that symbolize characteristics of Minnan culture.