Study On The Narrative Discourse Of Jin Yong's Knight-errant Teleplays-1980-2010

Nowadays, Jin Yong's Knight-errant teleplays has become a typical representative works of the chinese teleplay. The hit of them also accompanied by a lot of unusual phenomena. The emergence of these phenomena linked very closely to the characteristics of the narrative discourse of Jin Yong's Knight-errant teleplays. This paper talks about the of Jin Yong's Knight-errant teleplays. First, try to analyse the Jin Yong's Knight-errant teleplays as a whole and show the most important features of the narrative discourse. Comparison of Jin Yong's Knight-errant teleplays more specific and find out the differences between the various narrative discourse which due to the difference of adaptation or regions. Then try to learn the changes in narrative discourse of Jin Yong's Knight-errant works under various art forms such as TV, movies and novels. Finally, research from the perspective of narrative discourse to explore the reasons for the unique hit of Jin Yong's teleplays. Jin Yong's Knight-errant teleplays breakthrough " following suit " trend, and the biggest reason is that the unique achievements of its narrative discourse can not be imitative. The inimitability of teleplays can be an effective way to contain the " following suit " trend. Jin Yong's Knight-errant teleplays of Chinese Mainland are often controversial. The reason lies on the constant remakes. "Dispute", although it may make the teleplays win in the "well-known" war, but most people won't respect it as a outstanding classic. So from the understanding of the two phenomena, we can find that, comparing to always chasing fashion or always recalling the classic, committing to making the new work is more beneficial to the development of Chinese teleplays.