| Yuan Zaju is a sign of maturity of Chinese classical drama, the playwright with its strange think and clever pen, not only vividly depicts many aspects of the Yuan Dynasty society, but also successfully created a large number of characters with rich era culture breath and aesthetic value, of which the actor diverse in type, rich in meaning and very worthy of our attention. These different kinds of male protagonists are well-shaped and pinned away deep in the heart of the male image by playwrights, with a double cultural characters, as per playwrights and the product of reflection on the real world, it is an ideal for readers as well as the aesthetic embodiment of the audience, which has a relatively independent status in the history of Chinese literature and drama. Based on widely collecting and reading related literature material, the writer do systematic arrangements and concludes to the actors of the existing full 162 Yuan Zaju, and try to interpret and explain them from literature and culture two facets, to dig out the rich ideological meaning and aesthetic value behind these heterogeneous men.In addition to the introduction and conclusion, the paper mainly be composed of six chapters. The introduction part will talk about the Yuan Zaju masculine image's research condition combs briefly, discuss the masculine image, the category and the topic research, and point out the purpose of the way which concentrates on the main points drawing out the research main body.The first chapter is the emperor image research which is divided into two sections: Section I: Analyze the imperial image groups, specifically including the founding emperors, the calamity country kings and the saving the nation kings three types. Section II: Discuss the cultural implication of the king image, from the analysis of the concept of the Confucian tradition to start to denounce the Mongolian Yuan rulers fatuous, ignorance, and even savage, and cruel to the tyranny of the Central Plains the tremendous suffering of the people, thus revealing these king image which is not only the playwright to the historical prosperity and decline sigh with emotion mark, but the general sense of Han Chinese patriotic Zionist carrier, to convey the homeland of the Central Plains people think, the pain of subjugation and the Han Emperor Ming Yan Jun, the memory of Han rule the country and longing.The second chapter is officials image research which is divided into two sections: Section I: Analyze the government official vivid community, specifically including honest government image and Liang Li image two kinds, of which the Liang Li image is divided into three categories: Integrity and wisdom, Qing officials on behalf of the people; Shrewd and capable, sophisticated smooth can collectors and sincerely battle righteousness, the body being persecuted Su Li. Starting from the analysis of Section II of honest and upright official religion, with Yuan Dynasty officials voiced harsh reality of the disadvantages officials to dig out the image of clean government Liang Li Cultural Significance: The Confucian officials is fair and clean government, the embodiment of justice, both from a negative to tackling a real Yuan society of corrupt officials, it also gives people aspire to the Yuan Dynasty "Chinese Law" governing the country's ideology and the requirements of the Official Tomb Sweeping Festival.The third chapter is a hero image research which is divided into two sections: Section I of the hero image of groups, specifically including two types of noble heroes and the hero Greenwood, one of the noble hero is divided into three categories: protect the country and people, tried their very best type; bite the bullet, the oath was reported rancor-and honest gallant, unafraid of death type. Section II discusses the cultural meaning of heroic image, through the back of the Chinese nation's hero worship complex, and points out that these historical hero complex image is a symbol of national spirit and strength, on the one hand ,reflecting the urgent need for public Yuan dynasty people, who protect the country, Xia Bank generous attempts, turn the tide occurs hero, made for the welfare benefits they seek to eliminate the infestation, so that they live a peaceful life, on the other hand, a positive attitude to life the hero has become a pain in their survival in the tough spiritual support.The fourth chapter is scholar image research. Divided into three sections: Section I define the image of the author, through the "literary" content of the origin of the word, points out that this paper is to study the image of both the ordinary scholar who have received a certain Confucian education, yet not to be the real, but also despite official position, but The words and deeds have demonstrated strength of character of the traditional literati spirit, wit disposition of official scribes body image. Section II analysis the writer vivid community, specifically including its determination to the official, underappreciated the cold Confucianism; disdain for officialdom, the prodigal son and the mad romantic sparse cynicism, lofty hermit three categories, one of the prodigal son cold image and the image of Confucianism have subdivision. Section III discusses the Cultural Implication of literati image, through the psychology of the traditional literary culture back, pointing out that the image of the play's authors were not beyond the traditional value orientation, but to adapt to the realities of alienation and re-adjust themselves to the pursuit of independent personality made the fight for the heterogeneity of the times, popular in its external elegance, complexity and true inner spirit and show both the external behavior of the real state of the Yuan literati, it also gives them the unique political ideal concept, love concept of view and seclusion. The fifth chapter is businessman image research. Divided into two sections: Section I analysis the business image groups, specifically including the good image and the cunning profiteers two kinds, one of the good businessmen is divided into four classes: generosity and helped crisis helped type; honest and upright and honest devoutly type; Love, Yin filial piety to affection type and kindness is industrious, weak confused type. Section II discusses the cultural implication of businessman image, through the suppression of the traditional status and businessmen in the commercial society in the Yuan Dynasty merchant status in comparison, think that in the Yuan Dynasty height prosperity business culture background, the businessman image body had co-operated appeared some new heterogeneous factors, independence and lofty feeling become their different from previous similar image of the significant aesthetic features in nature, but they did not constitute the rebels to traditional moral concept, especially good businessmen Confucian culture with obvious image mark seeped the playwright strong Confucian moral ideal, to this new type of businessman figure in Yuan Dynasty certainly, but also the traditional social sought-after fame scribe proposed goodwill admonishment.The sixth chapter is the ghosts and gods image research. Divided into two sections: Section I analysis ghosts and gods vivid community, specifically including the ghost image and the immortal god of journeys Buddha image two kinds, one of the ghost image is divided into three kinds: innocent people, loyal soul and the soul of debt; The immortal god of journeys Buddha image are divided into two types: Initiations and the guider and true word for fairy of devotees. Section II from Chinese traditional supernatural concepts review, combining the unique religious culture of Yuan Dynasty and modern style, to dig deeper into the image of the Cultural Implication of ghosts: if the image of the ghost is victory of such a strong public fight the carrier of the spirit of the gods, then the degree of The gods who are out of their imagination lucky star saving millions of people, both in essence, reflect the power of people with access to life saving alien psychology, either eliminate rape in a way to play the role of police evil, but also to convey the playwright of the Yuan Dynasty to completely negate the reality of society, as well as non-cooperative attitude of the Yuan politics. The conclusion part is summed up the whole thesis, focusing on interpretation of the hero image of the Yuan Dynasty and contemporary value of the spiritual content, and points out that the innovation of this paper, the latter type of tables with the Yuan Dynasty actor. |
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