On Of Duras Late Creation Mentality

Margaret Duras (1914--1996), was a contemporary French female writer, created a great number of work in her life, and a far-reaching impact on future generations. Duras's work is distinctive, loved by readers around the world, has now been translated into 30 languages and widely circulated in the world, has became the European and American critics'focus of most attention. Though her unique autobiographical writing style is not the only one in the literature field, she has always put this form into full play incisively and vividly. She used the repression of women as the creative theme; let women could express their true feelings, so that they could have the expression way of pain.In Duras's writing career, the later creation (1984 - 1995), although the themes and forms cannot be referred to as"the most full", but it is"the most real". Calling it is real, because Duras always used the direct expression as her way of writing in her old age. She expressed her own memories of Vietnam, to the writing, to the meaning of love or the attitude of wine vividly and transparent. Duras never covered up their pursuit of death and love, also was driven in such a state of mind, these have become the central theme of her writing, becomes more prominent in the later part of creation.This paper attempts to carry out periodic analysis of Duras's creations, and features works from every stage in the creation of a rough sort out the context of Duras, and then emphasizes the analysis of some features of the final creative stage in the later years; thereby carry out the study of attitude to its creation. This article also hopes to provide a new perspective and platform to the readers whom love Duras for interpreting the Duras's later creations.