| On the stage of world national costumes, almost every nation has a kind of costume which can show its own national culture characteristics. However, the Han nationality doesn't have one. As the exterior image of national culture, National costume is a "preacher" to preach the implication and connotation of national culture. Meanwhile, "Hanfu" is an important part of Chinese civilization, and it is an effulgent pearl in the history of national culture. Based on this point, it is necessary to investigate the mien of Hanfu and its connotation as well as its esthetic characteristics.Faced with the ambiguous concept of Hanfu which was used in present educational circles, Chapter One gives a normative definition, and makes a detailed review on the research of Hanfu from ancient to present. Based on the analysis and summary of these achievements, the author points out the deficiency of these researches and clarifies the significance of this study. That is, to find out the sticking points of present problems which exist in the researches of Hanfu, the author wants to attract people's attention to Hanfu and its cultural background.Chapter Two lists systematically the development and evolvement of Hanfu in every dynasty combining the origin of Hanfu so as to make an overall view for people to realize the development history of Hanfu.Chapter Three starts with the general characteristics of Hanfu's style,color,fabrication, etc.Chapter Four explores carefully the culture connotation and esthetic implication of Hanfu. According to the analysis, we can see that the traditional ideology in Chinese culture, such as "harmony in human and nature","yinyang and five elements","aesthetics of neutralization", affects Hanfu and reflects in it.In the end, faced with the problems in Hanfu's renaissance process, the author raises some suggestions, hoping to put it in appropriate position by these studies. Therefore, Hanfu will show its special features and become the symbol of Chinese national culture. |
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