On The New Wave Period Of The National Film Visual Aesthetic

As known to all, the movie is the"see"art ,as a"visual"art. This document will starting form the research of"Visual Thinking", apply the theory of unconscious to research into the theory movie's space, aesthetic feeling, the laws of "gestalt" narrative, and a series of cinema aesthetics after the Nouvelle Vague, thereby, expanding the area of vision research. The choice for periods, I chosen the represented by Hong Kong's Nouvelle Vague e film of Chinese " New Cinema " up to 30 years, that start in 1979 , the Chinese film shows the break through and changes in in the vision respect.From 1979,the author of Hong Kong's Nouvelle Vague of Chinese"New Cinema", in unprecedented collision of culture ,use the innovation of courage, the image ,and independence spirit , open up a cultural value of space. On technical aspects of search depends on the back of the traditional culture, national resources on the draw on the basis of the essence of art aesthetics and the modern western film languages, which set the shape of the traditional Chinese style and narrative form, the rich ethnic"New Cinema"aesthetics character.Nowadays, Hong Kong are post modern cities in the business culture to move forward, Taiwan's economic development and in the high-tech information society, the continent is experiencing unprecedented flood of goods, as of new prominent the director, the film were presented with three different times, the visual aesthetic development into a new stage of adjustment.