Unique Artistic Beliefs - On Morandi's Painting Style

George·Morandi an Italian painter, the early twentieth century, the critics once made him as a conservative, and some taste of Italy where the Italian painter. When the standards of modern art being questioned, when people order a retrial when the eyes are looking at art, soon being Morandi was built on innovation on the traditional arts attracted to insist on the shelves of his life painting, with its most essential outline of the painting language of art for art inner world, with in-depth understanding of the artistic concept, Morandi was a fresh look with new eyes. Morandi work mood is unique, and others, is difficult to match, whether conception, state, or painting skills have reached a considerable height, has a very high aesthetic value and artistic value. Morandi the form of his artistic thought forerunners, the artistic self-exploration and discovery process are inseparable. His worship Giotto, Masaccio and Uccello and other early masters, studied Chardin and the Coronation, but also concerned about the early Cubism Cezanne and master the art. In the new art of shock, anti-traditional flow of the time, he was far away from all the frivolous and pretentious, always keep a cool head, not blind to separate the traditional relationship between the traditional art of drawing and to draw on their own favorable factors, out of the way their own unique artistic style. Morandi use of color is indeed wonderful natural contentment, deep attainments in his pictures, we see almost all of the middle light gray color, but through his clever combination of contrast and control of the thickness of skilled, not only do not dirty, not stuffy, but there is a clean sharp, Yats serene Qiyun. The calm tone mild, resulting in visual effects quiet, fully demonstrated Morandi gentle cultivation, and quiet free and natural character. Morandi works of traditional painting discarded copy of the representation of things, but he always retained;lightquot; of this important means of expression. Morandi his use of light to set the color distribution on the screen, so that the feeling between the screen and three-dimensional space between two-dimensional plane, so that the screen shows the feeling of an established and permanent, so he works with a different the charm of the traditional still life paintings. Morandi works in his later years bold simplified picture of the artistic image, the edge of the object line is gradually stripped, but rely on light, color rendering of objects with certain vitality, resembling a large Chinese painting freehand, little of a few like Oriental Zen paintings concise and vivid, for him, this is true still life. When reflecting back taste Morandi works, will be no doping a trace of his fatigue, which is not touched by a kind of helpless to repeat. Morandi into the vision of Chinese artists is no accident, "Aesthetics' boom, more people into the reflection, empty and weak imitation of the style of art can not satisfy demand, based on the local community, drawing on traditional culture, out of a unique Art belongs to China's own path has become a current affairs required. when artists sought to explore the sights and the West, the more and more people look to Morandi, whether he was born way of life, or his paintings reveal out of the realm of the kind of light Yat, many Chinese artists have become the object of study and art theorist.This paper focuses on the unique personality of Morandi painting style of painting through different stages during the brief formation of artistic thinking and self-style establishment with modern learning methods described in the mesh through a multi-level analysis, proposed Mo Randy style of cultural permanence and contemporary features.