Su Shi And Lessing Poetry Relations On Research

The relationship between poetry and painting in Western art problem is that the field of aesthetic study of an important theoretical and practical issues, art theorist and painter is a hot issue. Poetry and painting in identity issues and differences of the process, the Chinese Song Dynasty and Su Shi's 18th century view of the German representative Lessing: Su Shi's Poetry and Painting from the concluding remarks of their predecessors with regard to their own creative experience, that "Poetry and the same law," said Lessing criticizing the neoclassical Winkelmann stressed that the basis of "Poetry and heterogeneity," said. The two different ideas with the Chinese and Western artistic practice and theoretical traditions, historical background, etc. There is a close relationship between the differences, both on the relationship between poetry and painting are also aware of things in common. In this comparative study of two views, clear differences in the intrinsic essence of the East-West cultural exchange and learning from each other the inevitable demand. Western culture in China and the dramatic impact, penetration and integration with each other today for the relationship between Chinese and Western Painting of the comparative study of the West not only helps us understand the relationship between poetry and painting and thinking of the connotation, widen the horizon of our research, but also In contrast, self-help, we clearly see the relationship between Chinese and Western Poetry and their deep historical and cultural backgrounds and ethnic differences in psychological aesthetics.In today's China in the 21st century art world on a new awareness of the limits of poetry and painting with the financing of the relationship between poetry and painting to promote the combination of each other, the mood to add the charm of Chinese painting, Chinese painting to strengthen and enrich the poetic lyricism.