"ink" To Explore

In the long-term historical development,the traditional Chinese painting continuously stands erect by the unique performance style and the esthetic interest forest in the world art."The labor wants to treat its matter friendly, must benefit it first." The brush Pen,ink,paper and the ink stone have a hugely promotional effect to the development of traditional Chinese painting.Since the day that the traditional Chinese painting was born,the ink had been its basic intermediary material throughout.From "the heavy color painting","the pale color painting" to "freehand brush painting",the ink has been playing a very important role in this process.We Should say that the development of traditional Chinese painting has a very close relation to the unceasing improvement of tools.According to the record,the origin of ink may trace to the Western Zhou Dynasty approximately,but at that time ink may be different from the present. We may infer from the unearthed exquisite brush painting on silk of Warring States period,ink also is only at the preliminary stage.The Qin and Han Dynasty was a important period in the ink history,the ink had at that time a development and the ink mould was invented.To the Wei Jin Southern and Northern Dynasties,the emergence of drawing promoted the progress of ink producing technology,which caused the ink producing process went to a new stair.Sui and Tang dynasties were the same time when ink producing technology and the drawing went to the prosperous time.During the period of the Five Dynasties,Southern and Northern Song Dynasty,the ink industry may be more flourishing than Sui and Tang dynasties.In Song Dynasty,the appearance of "oil lamp ink" symbolizes that ink producing technology had made another significant transformation.During Yuan,Ming and Qing Dynasties,the detail drawings started to decline,the freehand brush painting moved toward the heyday.As a result of the progress of drawing method,the ink labor started to research in the ink producing,which had laid the foundation of the multiplication of ink industry in Ming and Qing Dynasties.The ink has already achieved a almost perfect region today.Especially after the 1980s,appearance of new idea causes the modern traditional Chinese painting to an unprecedented prosperousness and a multiplex development.This kind of multiplex factor also urges that the traditional Chinese painting should move toward the personalization day by day with the ink in the traditional foundation.The renewal of painting technique has urged the appearance of new ink.Day by day the varied ink types also has provided more choice for the modern artists.However,since the ancient times,the academic articles which aimed at the relations between the ink and the development of traditional Chinese painting from the specialized angle were very rare,we can see articles about the ink present day,most of the articles focus on the ink history or the introduction of the classification,the function,the manufacture and the collection of the ink.They carried on to the variation process of the ink,but actually rarely mentioned relation between the ink and the drawing.This article carries on a historical elaboration to the evolution of ink and the development of traditional Chinese painting.In order to explore the developing relations between the ink and the traditional Chinese painting.I practices by myself in the foundation and conducts more thorough research from the discipline angle on the use of ink.This thesis could be a investigative and usable specialized draft.