Comparison Of The Shape Of Chinese And Western Two Artists

This article takes China and the West two artist works as the object of study, compares through the comparison research technique the two work modelling and the analysis, and unifies its modelling characteristic, the time background, the cultural vein, the two modelling similarities and differences, the merit, the value elaborated, obtains some regular opinion, for example:"White lotus society Picture roll" when ingenious utilization Song exquisite modelling technique to different physical image description, just like in the algebra utilizes the arrangement combination the principle, regard appropriate grasping suits the self-expression the modelling rule correspondence corresponding physical image, only then possibly creates his unique image style. Amedeo Modigliani's work and the same time cubism and the expressionism essentially have the common relation in art, but has the very big differentness in the performance content and the way. The traditional Chinese painting is abstracts the factor implication in the middle of the embodiment, the Western modern drawing is transmits the non-embodiment through the abstract image performance embodiment the meaning. But "the White lotus society Picture roll" the character image is revolves the Buddhism statuary the restraint and methodicalness, the author is harbors to the religious sentiment of respect, in the middle of the picture which as soon as this section of religious story draws becomes the author by no means sends much more the self-emotions and the idea, pursues the nature and the day becomes. Not merely the two modelling embarks from the practical angle, more importantly in pursues one kind besides the cultural significance one formidable thought. Take this subjective thought as the leadership, two artists attempt to unify subjective and objective, seek the character, the scenery, the background, the sentiment gather one.In the article second half of, the author extends China and the West modelling comparison China and the West culture comparison, obtains: A nationality's disposition is deciding this nationality's drawing characteristic. The western nationality is in favor of bold and appears externally, the Eastern nationality is in favor of gentle and intrinsic. in the drawing, the Western drawing multi-pursue outward appearance feeling and the stimulation, the Chinese drawing stresses in the intrinsic mental culture. In leans the deviation to be subjective, outside leans the deviation to be objective, both will need to absorb, the model mutually, to make up for one's deficiency by learning from others' strong points inevitably. Says from a deeper level: Traditional Chinese painting character modelling pursue associative perception Saying of "yihua", but the Western drawing character modelling pursues to character's analysis and the decomposition. Speaking of the traditional Chinese painting, indulges constantly in this, can tolerate the thought the fuzziness, dim, both does not need to worry the objective practice the examination, and not formal logic restriction, even for some kind of need, goes to subjectively the application concept own opposite identical flexibility, explains all with wishes fulfilled, becomes to the sophistry bridge.Is final in the article, the author emphasized: In understanding and understanding process which remains to the existing culture, we can discover its own interior existence very dopatic can make the judgment, the instruction, the inspiration function immediately to the cultural ideological trend, thus causes the artist from the different angle, in the different time cultural vestige to seek the inspiration and the thought, thus obtains benefits.