| This thesis focuses on female figures in feminism films of the mainland of china in new century。The paper breaks through the conventional methods which research the female figures by director,film types or age。The thesis bases on the social reality,analyzes the feminism films springing up in recent,generalizes the female figures since the new century,at the same time,The theise peruse many representative female figures,analyzes the mutiples contexts which influenced the portraying of the female characters and the expression of female consciousness of feminism films in new century in the mainland of china to explore the times significance and characteristics reflect by these female figures。At one time,the booming of feminism films since 2000 can be viewed the second climax,of course with respect to the first climax emergenced between 1980 and 1995。What difference are there between these two climax of feminism films?what social and economic factors behind the dirrerence?all these are what I want to discuss in this thesis。The paper uses such theories as feminism,media and sex,Consumption Culture and so on,at the same time,uses content analysis and film textual analysis as research methods,use《Jasmine Women》,《infinite Motion》,《Peacock》,《Letter From An Unknown Woman》,《Zhou Yu's Train》,《Dam Street》as item samples to discuss the female figures in feminism films in the mainland of china in new century。The thesis consists of five chapters。The conclusion sums up the whole paper。In the feminism films in new century,the female are confined in the family。the female figures of these films are scant of ampler and more multiple social position,which display weak experience of life,as a result,these female figures could not really and duly reflect the spiritual style of modern women。Further more,the relationships between the female and the male is alienated。The female are advancing lonely with ponderous historical burden。At last,the thesis indicate the innovation and deficiencies。... |
