The dissertation explores the development of modern Chinese feminism film which is influenced by contemporary culture and the inventive changes it has taken in fictionist, content, narrative pattern, etc. The dissertation is divided into four sections; the first chapter is the definition of feminism films, including the background and condition of Chinese women movies and the definition of feminism films. The second chapter is the history of contemporary Chinese women films. The third chapter is the interpretation of female consciousness of Chinese contemporary women films. The fourth chapter is the problems and limitations of Chinese female films.A macroscopically cultural angel of view is taken to research the awakening of feminism consciousness and the construction of feminism subjectivity in modern Chinese feminism films. The author expects the film, as a cultural product, to help the female set up self-consciousness of independence, self-determination and equality and exist as independent as the male so as to build a world where the male and female live in equality and harmony. The conclusion discussed the prospect of Chinese feminism films, they will not only express the feminism subjectivity consciousness but will also surpass the limit between male and female to create an universal value of life which is the ultimate purpose of the development of Chinese feminism films.
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