Wang Meng, "qing Bian Seclusion Map" Small Theory

As one of the four persons of Yuan dynasty , Wangmeng (1308-1385) has had the significant influence on Chinese landscape painting's development, from Ming and Qing dynasties to today. In the history, the research to Wangmeng is deviate to inheritance his style and technique of painting.In 20th century, with the new material appear as well as the researching view's transformation, revolves Wangmeng's biography questions, his paintings are true or not, and revolves his drawing style's formation and transformation, some valuable achievements appear.The author explored his representative works "Qing bian yin ju tu" in 2004, at the same time, in order to thoroughly understood the work, the author read some literature books concerned this painting. In this foundation, from the studying angle, the author obtains the conclusion from the researching about "Qing bian yin ju tu" and other paintings which have some correlations with it. The conclusion is: the picture's constitution of "Qing bian yin ju tu" is on the foundation about Ju ran, with learning the spatial processing exploration achievement from the four centuries painters, learning the Yuntoushan of Guo xi and the Ganbicun of Zhao mengfu .Finally, Wang meng creates one kind of special visual fairyland, with a supernatural proliferation strength and spatial illusion.The Youhuan space tends to maturely in the Ming Dynasty last stage, and then it was accepted by the Qing Dynasty painters. Maybe, the picture' constitution of twists about mountains and stones, however, is the painters' struggling against their innermost feelings world around 1366.