Palace Body Of Tradition And The Tradition Among The Flowers,

The ages of South and North Dynasty and Late Tang and five dynastieswas a period that huge variety had taken place in the historical context ofchina. The nation had fallen apart, and there had been many disturbances inthis country. The dynasty had been substituted frequently. In the meantimeit was the ages that an important change had taken place in the literature.The Gongti poetry was widely accepted. Xiaogang,as the representative ofthese scholars had promoted the writing of Gongti poetry earnestly. The firstcollection of poems Yutai Xinyong appeared in the literary history. Late Tangand Five Dynasties, the Ci's prosperity developed into new road of the verse,and the first collection of Ci huajian ji had been edited. Ou Yangjiongclaimed clearly Huajian derived from GongTi of the South Dynasty in Huajianji. As two kinds of similar literary styles, it could also be said that theGongti poetry and Huajian Ci had suffered from similar misunderstanding inthe early time. The Gongti poetry finally exterminated in Tang Dynasty. Fora long time, the Gongti poetry had been broken away the cruel fate, andregarded as the reactionary and corrupt literature. Thus the literaryacademies criticized cruelly the category of literature all the time. ButHuajian Ci was received as the founder of the Ci phrase. This thesis willcompare two kinds of literary styles that are influencing each other, andexplore their literary tradition, and search for the reason.This thesis is divided into four parts.Chapter one will lead into the paradigm theory and discuss the definitionof Gongti poetry and Huajian Ci. The author considers that the Gongti poetryshould be defined from the content of the literary style and outside. TheGongti poetry should refer to the new type, light-hearted and amorous. Thepoems began its decadence in the early Tang dynasty, and became popular inthe Liang dynasty with Xiaogang as the representative poet. Huajian appearedin the Later Tang dynasty and Five Dynasties. Yanshu and Ouyang Xiu developedit in early Song Dynasty. The contents intended to demonstrate the theme ofwomen and beauty. It came into being as a kind of mode in term of the loveand amusement.Chapter two chooses the two typical texts of Gongti poetry and HuajianCi to carry on a comparison. The author will explain the relation anddissimilarity in comparison with historical context, purpose and style ofedition. It carries on elaborating these two kinds of verse topics that haveto accept a relative mutilation in the relation to these two chapters above.Chapter three will discuss the tradition in poem and female based on Extwo parts. Although the Gomuti poetry and Huajian Ci are famous for itslight-heartedness, its origin is still in the tradition of Chinese verse.Chapter four is the summary that discusses the above. The authordescribes the Gomuti type and Huajian type, compares the works with each other,and discusses both of their tradition. What had been done in inheriting andabandoning to the Gomuti poetry? The author thinks exactly the traditionalaspects that Huajian Ci actively separate from forbidden area of traditionalpoem. Huajian Ci made a brave innovation in the style, and the methods ofdescribing female and the sentiment. This is the reason that Huajian Ci kepta long time and received as the founder of the Ci phrase.