This paper bases on Home Town Noodle and Flower, discussing whose feature of the postmodernism. Liu Zhenyun takes an large scale experiment, to most extent develops the imagination of the reader. But tedious language bewilders the reader. Liu Zhenyun wants to take charge of the national imagination, trying to transcend the previous works of his, however, in the endless playing loses the attention to humane. Transition of Liu Zhenyun doesn't take place occasionally, and is inevitable outcome of his creative history, also is the inevitability of 90s'culture environment. He just likes a mirror, from him we can see something exciting, at the same time, which exposes the problem of 90s'art and literature field. |