Art In The 20th Century Century " Reenchantment " Tendency

The point of the thesis is that the existence of human being originally was enchantment, that is, in the beginning, human being satisfied itself and inhabited poetically at the home of nature. But according to the rising of science and philosophy in old Greece, human being entered the disenchantment tines. From then on, human being wasn't intimate with nature and negated the communicatatity of human splitting of human being and nature and human being self.In 20 century, the constructive postmodernists created "reenchantment philosophy" with the representative of David Ray Griffin. The philosophy aimed at making up the splitting. Responding to the reenchantment philosophy, the art of 20th century appeared the tendency of reenchantment. The thesis aims at objective describing the happening state of the phenomenon and study the significance and value of the phenomenon to the understanding existence of human being.Five parts make up the thesis. The first part of the thesis summarizes reenchantment philosophy and the relations of philosophy, art and existence; the second part of the thesis proves the enchantment essence of art. The enchant art as its primitive puerility and rusticity presents the poetic life the thesis comments on disenchantment art. On the one hand, at some degrees about the veil of existence. The fourth part of the thesis describes the reenchantment art in 20th century, which possesses giant containing, understanding and creativity. The last part of the thesis discusses "the true" and "harmony" which are established by reenceantment art. By the style of clearing itself, art clarifies the existence of human being. During the process, the art with the tendency of reenchantment makes the indwellers realizing the poetic flavor of existence.