"Enchantment" And "disenchantment"——The "Wild Grass" Studies Of Chinese Mainland And Occident From The Perspective Of Academic History Since The 1950s

"Wild Grass" is a quite Concise and gorgeous and profound connotation prose poems. Not only for the old literature, but also in the new literature is very rare. Since "Wild Grass" compiled and published in 1927, its artistic achievements recognized by the world. But for the interpretation of the subject matter and the author’s intention has always been a different opinion. Thus forming a complex picture of "Wild Grass" studies. And in fact, behind this picture reflects deeper issues of academic history, such as the changing environment, the academic trend of ups and downs for derivatives, the way differences in academic research of the East-West, as well as researchers of Nation, population, gender, political beliefs, cultural identity, theoretical background and academic position to impose the impact of their research.In the introduction, presents the overall context of the changing times of the image of Lu Xun and "Wild Grass" study and the increasingly frequent cultural exchange and reference, and Conducted a brief review and introduction on "Wild Grass" research by scholars from mainland China, purely Western scholars and overseas Chinese scholars such scholars of three groups, pointing the significance of the study to through the integration of academic resources of the East and West, promote updates of the way of literary criticism, and promote the further development of "Wild Grass" and Lu Xun research.The first chapter focuses on "charm" of "Wild Grass" and Literary Study. Pointed out that the connotation of "charm" is different researchers impose unreal color and mirror on "Wild Grass" intention and Lu Xun body, and described the reason of "Wild Grass" study emerge "charm", accounted that "charm" of "Wild Grass" research reflects the many differences between Eastern and Western academic research.The second chapter discusses "Enchantment" color of "Wild Grass" research in the mainland and occident form the 1950 s to the 1970 s. Mainland scholars deliberately obscured dull colors of "Wild Grass" in statute of the left- leaning ideological trend, and focus on presenting Lu Xun’s fighting style, given it the "charm" of revolutionary politics. Up during the "Cultural Revolution", has been completely distorted by politics. Among scholars in Europe, "Prague School" who holding the position of the left-wing focuses more attention on political ideology to unfold criticism, given "Wild Grass" "charm" of dimensions of the revolution; and as a scholar of "anti-Communist Studies genre", Tsi-an Hsia from his own political stance departure, given the "charm" of darkness and morbid to Lu Xun.The third chapter focuses on the "disenchantment" tendency of "Wild Grass" research in mainland and Europe since the 1970 s. Mainland scholars interpret patterns by "political revolution" to "Enlightenment", turning the artistic features from the political connotations, rendered as "disenchantment" type of criticism. At this time, "liberal studies genre" has become the pillar of European and American scholars, Lin Yu—sheng employ "Heaven" of the traditional view of the universe to explain Lu Xun’s struggle between existence and nothingness, and through the analysis of decadent and dark color of "Wild Grass". Lee, Leo Ou-fan constructs it into decadence modern context.The fourth chapter adopts total time academic research methods, elaborate mainland China and European and American scholars in the "disenchantment" is also contains "Enchantment". By focusing on the aesthetic connotation and enlightenment thought, Mainland scholars in a more relaxed political situation, remove politics "charm" but endowed with aesthetic and enlightenment "charm"; European and American scholars in the environment where academic research return its own department, through the use of Western theories and penetrate individual imagination, remove prejudices of "charm" but endowed with theory and imagination "charm". In this regard, on the one hand, to integrate the idea of "charm" to restore the original appearance of Lu Xun, on the other hand, faced with the problem of how to deal with overseas Sinology, we should discriminating on the basis of the calm look.In conclusion, a more comprehensive presentation has been made in regard to the "charm" of the various perspectives of "Wild Grass" research, and noting that the "charm" of "Wild Grass" research is not only illuminates the study of Lu Xun’s "charm" and also reflects differences of modern Chinese literature between Eastern and Western in the actual context of literary studies, academic ideological trend and research features and the evolution process of this difference.