| In this thesis, according to some researches in the calligraphy's activities and the calligraphy's trace of Ni Yuanlu, the calligrapher in the end of Ming Dynasty, the writer analyses completely 'his particular theory'and the formation of his unique characteristic calligraphy, the writer analyses his handwriting's theory and characteristic of that, summarizes his contribution and influence on the huge calligraphy's oeuvre in the end of Ming Dynasty.This thesis takes the background of the transforming social culture in the end of Ming Dynasty, according to analyses his activities, his friendship with the other's calligrapher and his success in handwriting, the writer wants to show the influence of the science's revolution in the end of Ming Dynasty and the calligraphy's environment on his formation of the calligraphy's style; analyses clearly his calligraphy's theory,his teacher's influence and his calligraphy's characteristic, explains his innovation of the calligraphy's theory and of his artistic calligraphy; according to the other's estimates in the end of Ming Dynasty, the writer summarizes his unique artistic status in romantic writing's style in the end of Ming Dynasty and his huge influence on the later calligraphers.In the thesis, according to the historical documents and his existent oeuvres, the writer analyses completely his calligraphy's character,his calligraphy's theory and his multi-creating styles, the writer tries to explain clearly his calligraphy's success, and the writer tries to research the calligraphy's theory and characteristic of the cursive calligraphers in the end of Ming Dynasty, so that we could learn profoundly the calligraphy's history in the end of Ming Dynasty. |