Research On Vision Rhythm And Sensibility Experience Of Animation

This subject is the feeling research aimed at visual rhythm in animation. Ordinarily, if a good animation movie has the vitality and infectivity, it is largely in exploring mutual factors and flexible using during making process. How can the animation movie contacted with audiences indeed? This is the emphases of this thesis that let audience change their feelings when visual rhythm changed by animation movie, inspire their aesthetic feelings and also sublime the feelings during watching time.We search the existence of visual rhythm from the origin of animation movie, and dig visual elements from traditional culture. We discuss the changes of visual rhythm at its three basics by deeply digging visual rhythm theory. The three basics are: expression form of lens image spacing, composition form of constructing animation movie, and specific application of lens visual info transmitted to animation movie.On the other hand, this thesis research subjective and objective factors produced by feelings. Find the balance point of instinctive, behavioral and reflective level in feeling system. And bring three new research methods of the psychological effects of color and eye tracker and feeling software to the subject, and let the analytic subjects more scientific.This thesis analyses how visual rhythm is propitious to represent originator's feelings and cause the audience's aesthetic feelings in details by three basics of visual rhythm combined with applied discussions of visual rhythm and theoretical analysis. Deeply research how every factor cause changes of visual rhythm, and how feelings can the changes bring? Materialize and tabulate affective experiences caused by visual rhythm from analyzing many animation movie films. It offers references to future animation movie art theory.