Rural Eye: A Study Of Participatory Reconstruction Of Folk Image And Village Culture

In the medium of social development in the background, village culture in the folk image of intervention and under the influence of present a vivid change process. This article explores the folk image in the context of the village of new production way: "the camera to them, and let them express their", namely the villagers to participate in the reconstruction of village culture. Camera by outsiders to villagers, the change of the subject, means that the folk image production started from the photographer’s own indigenous beliefs and daily life, culture system to film and, in this sense, it is for people to transcend cultural heritage protection, the commercialization of the folk image provides the possibility of a single visual Angle; At the same time, in the overall framework of main body in daily life, culture system to filming, recording and national culture transmission, must promote its cultural self-consciousness awakening, and such awareness is a two-way street, interactive, is a kind of villagers’ participation, a collaborative between folk video mode of production. Villagers participatory video recording will be in the development of the traditional village culture and changes in what kind of sparks collision out? Answer this question is based on the author of the "rural image project" participatory rural practice on the basis of the fieldwork. The author as a "country image" diqing Tibetan participants in the process of practice, with the Tibetan villagers picked up the camera directly face to face, observation and interviews, the guidance of the description they pick up the camera shot, the subject and the process of psychological growth, so as to explore the villagers through the way of image production and dissemination, involved in the reconstruction of village culture for this national culture inheritance and development in the process of social significance.This paper consists of five parts of contents:An introduction, thesis "image" of folk literature, puts forward the research question, the villagers’ participatory folk images of the production and propagation of village culture reengineering is of practical and theoretical significance.The first chapter, from the diachronic time dimension, description and analysis of the eye of the "village" image training plan is put forward, and the achievements of social development. From the view of the research of participatory observation, describes the author involved in the yunnan province Di Qing Zhou Tibetan culture folk organization kagebo peak stretch culture club "eye of the countryside" the practice of the author in the field are analyzed in detail in the process of "guidance", "the observer", "researchers" between the transformation process of multiple roles, to better describe the participatory folk video production process: "the focus image photography- collectively discuss- culture holders- regression collective discussion-consciousness of thinking".The second chapter, from the villagers why pick up the camera? The villagers should be taken? Who should be taken for? Based on specific issues such as the field case, analysis by the "eye of the rural" advocating and fostering the villagers of participatory folk image mode of production for the culture of the village culture reengineering significance: this is a Shared voice transmission method, the whole ideology embodies the villages in the process of the interests of the majority, in the way of democracy, film and television. As a weak group of villagers express own emotional tool, focus problems are often the villagers concern the practical problems in real life, transmission channel and villages being geared to the underlying will ignore the view of public official media gradually to the social public, on the status of cultural empowerment process is a kind of image.The third chapter, from the culture reengineering for reconstruction of the internal and external two dimensions of participatory culture of folk image reconstruction functions are discussed. Internal reengineering, folk images through the audio-visual media characteristic expression within the culture of the village, some potential image reconstruction of villages folk culture, shows the village local historical and cultural and social events. From the practice of villagers’ participatory image, a gradual move to cultural consciousness, osmosis qualitative over- to achieve the internal heritage and development of culture. External reengineering: namely the villagers master control of village culture spread outward, tells the story belongs to the cultural logic of village, village of the dissemination of culture and value, so as to promote the village culture in more spacious space for cultural interaction and communication.The fourth chapter, focusing on folk images and discuss the possibility of participatory village culture reengineering. Villagers as cultural holders, this national culture with deep emotions, they picked up the camera, from its own cultural logic to express the village of traditional and modern culture, history and reality, so as to promote village culture in the deep cultural texture reconstruction, that is, from conforms to the logic on the basis of national culture to promote internal inheritance of culture, help the villagers to confirm their own cultural identity, mining, and express their own cultural position; Position at the same time, based on the national culture, film and spread our national culture, village villagers own sound, its delivery to the whole society’s political and economic powers, gives the power of the marginal groups to really into national power system, the problem is very important to the local development.