Imagination And Construction: Manchu Writing In Ye Guangqin 's Novels

In the contemporary literary world, Ye Guangqin is a representative in the field of minority literature of manchu women writers.Her prose writing style diverse, deep, graceful and restrained.In the 1990 s, in the national subject matter literature became warm environment, Ye Guangqin began the subject of manchu literature writing.As a historically xuan at that time, then decomposition segregation of nation, the manchu in the long river of history has experienced its own national fate of ups and downs.Once boarded the stage of history with the attitude of XiongJiang yingwu, and then buried in manchu of the history of the earth’s surface, after the destruction in the horizon of history, its long-term in a state of mind no refuge drift.Ye Guangqin trying to regain lost the spirit of the manchu homeworld.In Ye Guangqin works, she will handle the relationship between literature and reality is very profound.She in our native literary themes in writing at the same time, the fusion reflection in the back, both in the reflection, under the big standard of clung to their own ethnic identity will be national complained of.In this paper, through Ye Guangqin the manchu novels, written in manchu ways as the breakthrough point, understanding the culture behind the search for her pursuit of national culture and hit in the face of modernity and reflection.This article tries to analyze the latent in the works of the Ye Guangqin behind the national psychology, cultural pursuit, interpret the value of her in minority literature writing, as well as her contribution to the contemporary literature history.In this paper, the main body part is divided into three chapters.Elaborates the first chapter is the combination of Ye Guangqin manchu identity, point out that it is in the era of relatively loose Ye Guangqin discourse context to complete their own identity, she is to interpret the time history of manchu.Through his own experience and experience, her novels reproduced with amorous feelings of the manchu social picture, create a unique mark of the era and national character traits.Through the depiction of manchu Ye Guangqin’s picture, in this paper, in order to guide the reader through the long dust feelings of historical culture, and history of deep dialogue, in contrast, the current reality in the recall and reflection.The second chapter narrative theory, from the Angle of narrative Ye Guangqin works for text analysis.On the narrative perspective, Ye Guangqin to zero within the focus, focus, focus of multiple ways, from different angles show the text style.On the narrative pattern, Ye Guangqin interlaced narrative time and space, a text reading in time travel.In terms of narrative discourse, Ye Guangqin language or pure or exquisite, pathos and graceful and restrained.In narrative perspective, narrative time and space, and the use of narrative discourse as the breakthrough point, to the manchu fictions Ye Guangqin carries on the detailed analysis, reveal how she complete cultural identity and show the manchu character, mining Ye Guangqin imagined community in the novel unique support behind the cultural connotation of the mind.The third chapter of Ye Guangqin to interpret the meaning and the values of in manchu writing.This part, from the perspective of the writing style, content and subject matter, etc, will be Ye Guangqin and also good at writing a manchu writers such as Lao she.In contrast to the essence of tradition culture, reveal the Ye Guangqin distinctive style and poetic criticism.In the cultural inheritance beyond, reveal Ye Guangqin the unique value of literature.This paper argues that her work is full of national historical memory deep feeling looking back at past, for national literature development provides a more broad space for writing.Her clear conscience cry for contemporary song writing of manchu.