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On The Essence And Writing Of Du Fu 's

Posted on:2017-05-19Degree:MasterType:Thesis
Country:ChinaCandidate:H JingFull Text:PDF
GTID:2175330485467740Subject:Ancient Chinese literature
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Du Fu’s seven character ancient poetry is more than 140 first, in the seven word poetry development history plays a very important role. This article from the description of the object and directly express the point of view of the relationship between emotional to examine the uniqueness of Du Fu’s seven character ancient poetry. Through the research summarized description object and direct expression of emotion with the type of relationship, a detailed analysis of various types of relations between the expression that Du Fu seven word poetry in describing the object and directly express emotional relationship and treatment method were compared with the previous generation breakthrough, on behalf of the seven character ancient poetry development new stage.This paper is divided into three chapters. The first chapter discusses Du Fu’s seven-character poetry which to describe the object from the observer’s identity. The poet has keeping the observer’s identity in these poetry, his emotional expression does not appear in the poem, or appear to foil. Affiliated previous seven-character poetry are subject to reproduction objects of writing is difficult to self limitation, highlighting the subjective emotion. But Du Fu always maximize the objective description to achieve freedom. A lyric is good at expanding space-time levels in typical scenes depict to suggest themselves on the event. Two through to discuss with Syria to prompt self observer identity, direct comment in the poem. Three is in the poem to join the figure of the observer, highlighting the identity of their witnesses, enhances the poetry artistic appeal.The second chapter analyzes Du Fu’s seven words of direct expression of emotion. This kind of work is centered on the expression of self emotion, and the description of the object is always in a subordinate position. On the one hand, Du Fu through real-life experience to write records, objects are inclusive in the poet’s experience, having confessed the plot of the effect. Du Fu, on the other hand, is good at organizing object objects with emotional logic. However, different from the previous poet multi stories, myths and writing materials, Du Fu is to include social reality under the self emotional cues and narrative color thick. In short, whether it is real-life experience or in emotional logical organization, and in fact, Du Fu’s focus on in the lyric lyric Zhongrong narration in order to specific events, inner abstract feelings in a vivid and subtle way to show.Third chapter of seven-character poetry of Du Fu look at themselves. Look at themselves self-image refers to the poet as an aesthetic contemplation of the object to be, and Anyu a state of self-transcendence cognitive self-image statements. Unlike object objects reproduced as observers and to show his emotions seven-character poetry is only one case of self-image, self-examination process is self-seven-character poetry of internal relations, and thus there are two self, one’s emotional poem speaker, one outside of poems rational transcendence. Poet and self-deprecating methods tiny self placed in boundless space to pull away from the poem’s self-image, self-rational to relieve emotional self frustrated to obtain spiritual pleasure. Such seven-character poetry formed a special relationship between body composition and write blogs, and further expand the expression of seven-character poetry.
Keywords/Search Tags:Du Fu, Seven-chracter poetry, Representation, Expression, means of expression
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