Muslesky Music Research

Musorgsky is one of the most powerful group in the individuality of a composer, in the course of development of the history of the Russian music, his music not only plays a important role as a connecting link between the preceding and the following, the unique creative ideas and novel writing techniques, for the European music get rid of shackles of traditional classical form and opened up a new road. When we really into Moussorgski himself and music will be revealed in his "death" under the shadow of life experiences and works of "death" into a deep reflection. Mussorgsky created typical, highlighting the "death" one of the themes of the works, this article attempts to through of Mussorgsky the life characteristics of the external environment of tracking and case study, to explore the deep implication of the "death" embodied in the Musuoer, based in the works on the vocal divertimento "song and dance of death".The main part of the thesis is divided into four chapters. The first chapter mainly from the music genre of station in the angle of music history of 19 th century truly established forms------- art song genre definition, summed up the venation of the development. It is pointed out that the genres of art songs in Russian music development rules and value of existence. The second chapter mainly from the art song in the development of the Russian reflected the historical and cultural level is explored, draw the outline of the atmosphere of "death" in Russian society, and deep into the strong group and Mussorgsky’s creation, for vocal divertimento "song and dance of death" to provide more comprehensive basis. The third chapter is the case of "death dance" works of the main fusion music history, music sociology and music analysis of the features of music in his "death" characteristics are analyzed. The fourth chapter is in the first three chapters on the basis of Moussorgski’s works by showing the "death" phenomenon to the height of philosophical reflection.