A Comparative Study Of The Formal Language Of Tibetan And Western Frescoes In The 11th - 17th Centuries

Taking the form of painting Tibet Tibetan Buddhist art and Western Christian art as a basis for research in which a unique mural art. Mural art with unique styles from around the world are held in temples and churches and other buildings. From the early prehistoric rock paintings, frescoes to Egyptian art forms and styles, reflecting the role of early humans murals from simple recording and cognitive development to spread religious teachings, drawing emotional expression, the pursuit of aesthetic realm, and 11-17 During the century mural art is the formation of an important period of maturity. During the 11-17 century, the history of the Tibetan Buddhist painting Tibetan areas of China’s five major schools of painting sprout, and the medieval Western Christian painting also has four important period, in which the author in the history of medieval Christian mural painting and more distinctive Tibetan Buddhist temple mural painting form language in a preliminary comparison. Both religious frescoes due to the religious doctrines, political and social history and other factors, the composition, perspective, shape, and color and other visual elements as well as showing the different aspects of its formal beauty. In this paper we are to analyzeathe body painting comparison. And to find medieval Tibetan Buddhism and Western Christianity mural fresco painting on the similarities and differences in the form of language.