The Influence Of Zhao Zhao 's Calligraphy On The Study Of The Late Qing Dynasty

Calligraphy in the Qing Dynasty is mainly the extention of late Ming Dynasty, calligraphers such as Xu Wei,Wang Duo, Fu Shan, Ni Yuanlu informality in the current political situation, suffers from gallery at the beginning of the Qing Dynasty of a representative of the romantic calligrapher. Kang Xi is fond of Dong Qichang’s calligraphy, To Qian Long Dynasty, calligraphers in under the guidance of Zhang Zhao, intend to break through the bearing of the Dong Qichang, Qianlong is fond of Zhao Mengfu, and over the host of Dong’s calligraphy has gradually replaced by Zhao’s, calligraphers start from learning Zhao Mengfu’s calligraphy, tracking all the calligraphy of Jin Tang, bold change, innovation, post to learn calligraphy in the Qing dynasty in its height during this period. The Qing government in carrying forward the culture of the hand nationality, netting the hand nationality scholar at the same time, didn’t slack off on their vigilance, suspicion and strike, its main means is the literary inquisition. Under the coercion of the literati are afraid, so the study of stone arises at the moment, the study of stone becomes the same people escape from disaster and express the feelings of, the influence for book wind and include style appear very different appearance, Then a monument of inside and outside the student’s in the windy, eventually replace Calligraphy, are all the rage.Late emperor Qian Long, the stone inscription rubbings gradually rise, the study of notes declined. For calligraphy in the Qing Dynasty, the academic circles pay more attention to in the study of stone inscription rubbings, for the study of notes is less involved. Objective look at the history of calligraphy in Qing Dynasty, the study of notes calligraphy and the study stone calligraphy is matched, since the Qing Dynasty calligraphy study, more is to focus on the study stone, as a result, the study of notes can’t equivalent to that of the study of stone. In Qing Dynasty, Zhang Zhao as the representative is little concerned. Zhang Zhao’s calligraphy reflects phenomenon from Kang Xi to Qian Long, Qian Long gave a high evaluation on Zhang Zhao’s calligraphy: the Xizhi after one, as if who can. For such a character with time on behalf of the meaning of research, to enrich the calligraphy research results in the Qing Dynasty, especially the image of middle Qing Dynasty the study of notes has important significance. And the author tries study the influence of Zhang Zhao in the middle Qing as direction to this paper.Zhang Zhao influent many calligraphers in the middle Qing Dynasty, based on the study of Dong Qichang’s calligraphy, in turn track all Jin Tang calligraphers, and achieve mastery through a comprehensive study. These calligraphers caves and bold innovation, opening up a new situation and to post the progress of studying calligraphy began in the Qing Dynasty, directly affects Liu Yong, Wang Wenzhi, Weng Fanggang and so on, in their efforts to continuously innovative practice, create the new situation of the the Qing Dynasty study of notes.