A Study On The Words Of "Dielianhua" In Tang And Song Dynasties

The melody of Dielianhua is the one of which spreads widest and keeps the longest time in the tune history during the Tang and Song Dynasties. It appeared early in the prosperous Tang Dynasty. After the initial development in the last Tang Dynasty, it reached its prosperity in the Song Dynasty. The research of Dielianhua in the Tang and Song Dynasties has an important significance on the construction of Dielianhua Ci-tunes’history and even the history of the Chinese Ci-tunes.In this paper, Dielianhua is the research core and the research focal point is positioned in both Tang and Song Dynasties. The Dielianhua tune comes from the previous poems, although there has been stationary types, there also many unstationary types. Its sentence has seven words generally, sometimes four or five words, and more like the poem. It’s full of pathos or pathetique tone, less impassioned tone. Tang and Wudai Dynasty, which have few poets and poems, is the initial stage of the Dielianhua tune. Northern Song Dynasty is the Peak period, while the Southern Song Dynasty is the period of decline, although its poets and poems are diverse. The topics of the Dielianhua in Tang and Northern Song Dynasty mostly are lovesickness and sad feelings, while it is singing for the things and sits in Southern Song Dynasty. On the way of feeling express, the Dielianhua tune adopts the tortuous style, and less direct express. On the aesthetic implications, orderliness and diversification are its features. On the rhetorical methods, it borrows the old poems, selects the beautiful imagery, uses the classical allusions and puts stress on antitheses.There are two parts of the paper. The first part is primarily about the tune itself, the situations and methods of the studies, the significance and the innovation of the paper. The second part can be divided into six chapters. The first two parts mainly discuss these items:the origin of the tune, forms of the poetries of Dielianhua, the other names of the melody, the sources and the affections. The third part to the fifth part includes the course of the development, the kinds of themes, and the artistic characteristics. The sixth chapter is a case study of famous masterpieces. It predominantly investigates its history meaning development performance by analyzing each famous masterpiece, whose writer is a representative poet as Feng Yansi, Ou Yangxiu, Su Shi and Xin Qiji. In the "Conclusion" section, the position and value of Dielianhua poetries is located compared with the entire Ci-tunes history and the paper is concluded.