| Magic image is an important part of magic realism, magic image commuity and magical image in novels since the new period of constructing China than other periods are various, huge, dense, it is Fallen petals lie in profusion, present a splendid sight.Since the new period of Chinese magic realism works are numerous,for the sake of convenience, this paper from the contemporary writers to select Chen Zhongshi, Mo Yan, Jia Pingwa, Yan Lianke, Zahi Dava, Su Tong, Yu Hua, A Lai, Han Shaogong, Chi Zijian and a group of excellent writers and their typical works of fiction as the focus of study, then, by combing and exploring, division and establishment of type, dimension magic image, aesthetic implication and formation factor of magical images in the novel and the analysis of the new period, especially the research point of view focused on "magic image of China" on this one problem, the deconstruction of magical images with local experience and native culture novels in order to better interpretation of literary works, and they include consideration of literary value.The introduction part presents the three aspects of contents: one is the reason of this thesis; the two is the domestic researches about the magical images in the novels since the new period; the three is the characteristic of the magic image concept, magical images.The text is divided into three chapters:The first chapter mainly composed of magic in the novels of the new period in the image, some scholars of literature image types and their theoretical research, the author based on the connotation and extension of the literary image, combined with the specific morphology since the new period of Yan magic image in the novel narrative change, and its own aesthetic qualities, the magic image type summarized as natural magic image groups and social cultural magic image group. Through the study of magic realism novels in China since the new period, the natural magic image group is divided into animal imagery, plant image; social culture magic image group is divided into special symbolic magical images and the mysterious abstract type magic image.The second chapter mainly explores the fantastic images in the novels since the new period the artistic function and aesthetic implication. Art firstly, magical images in the novel is mainly embodied in two aspects: one is the magical images to promote the laying novel clues, promote the development of plot; two is the magic image in the novel of suspense, suspense manufacturing digestion. Then the deconstruction of aesthetic implication of magical images, which mainly manifests for the magical images of metaphor, magical images philosophy, magical images of the mutual metaphor, magic image ambiguity, magical images of the absurd, magical images of poetic.The third chapter mainly from the three aspects of the new period to generate factors magical images in novels since, first is the factors of regional culture, regional culture is the blending of natural and humanistic landscapes, natural landscape, including the mountains and rivers, a year the four seasons scenery; humanities landscape including folk customs, anecdotes and legend, local dialect etc.. The second is the western modernist factors, Chinese contemporary writers consciously absorb and accept the world literature in the field of image is the classic text, reference, learning from western modernism art expression of the essence and the west modernism thought theory. The last is the aesthetic subject factor of the writer, mainly include writer’s childhood memory, life experience, emotion and aesthetic pursuit of personal temperament, interest and imagination, it is because of the aesthetic subject writer factors exist differences, this decided they generate magical images of different types and forms in the novel the novel, also reflects a distinct heterogeneity. |