| Li Qingzhao is one of the few outstanding female writers in the history of ancient Chinese literature,whose poems are diverse in subject matter and rich in connotation,and have far-reaching influence on later generations.Li Qingzhao’s works handed down from ancient times are few,but researchers are quite numerous.However,at present,the academic circles still lack attention to the representative images in his works from the perspective of ecological aesthetics.With reference to Xu Peijun’s Annotations to Li Qingzhao’s Collection,this paper makes statistics on the frequency of plum blossom,geese,phoenix tree,chrysanthemum,sweet-scented osmanthus,gull-heron,Peng and crane in Li Qingzhao’s Ci-Lyrics,and selects the top five images which appear more frequently,namely plum blossom image 21 times,geese image 6 times,chrysanthemum image 4 times,sweet-scented osmanthus image 3 times and gull-heron image 2 times.Therefore,this paper takes the five images of plum blossom,chrysanthemum,sweet-scented osmanthus,geese and gull heron as the breakthrough point to explore their ecological aesthetic implication.The main part of this thesis is as follows:The first chapter analyzes Li Qingzhao’s Ci-Lyrics from two angles: "Li Qingzhao’s life and its daily life aestheticization" and "Li Qingzhao’s Ci-Lyrics and their aesthetic daily life",and expounds the connection between Li Qingzhao’s daily life and nature and the natural interest embodied in her Ci-Lyrics.The second chapter detailed analyzes the ecological beauty-appreciation import of the three cross-sectional plant images of plum blossom,chrysanthemum and sweet-scented osmanthus in Li Qingzhao’s Ci.In Li Qingzhao’s Ci-Lyrics,plum blossom is a beautiful image created by the poet’s painstaking efforts,and it is the display of her ideal personality and sincere feelings.Plum blossom is the externalization form of the poet’s own image and the highest model of the poet’s aesthetic ideal.Li Qingzhao knew herself in plum blossom,looked at herself,appreciated herself,and even regarded plum blossom as herself,or regarded herself as plum blossom itself,reaching a state of "clear illumination is plum blossom,and plum blossom is clear illumination".In the aesthetic photos of plum blossoms,Li Qingzhao went to her inner world and to the spiritual home of mankind,and also showed her unique aesthetic style;In Li Qingzhao’s chrysanthemum Ci-Lyrics,the diversified image combination of chrysanthemum image and wine image,chrysanthemum image and multiple "water states" constructed by the "intersexual subject structure" experienced by Li Qingzhao is the display of her life experience form.The artistic ecological relationship established by Li Qingzhao is a subjective world established on the basis of unique understanding of nature and experiencing one’s own spiritual situation,in which natural objects are transformed by subjectivity,become the bearing and the indicator of the subject’s life spirit,and isomorphic with her own subjective experience,so the original subject-object relationship is transformed into an ecological subject-subject relationship;This paper analyzes the image ’s ecological beauty of sweet-scented osmanthus in Li Qingzhao’s Ci-Lyrics from three aspects: the beauty of sweet-scented osmanthus,the beauty of sweet-scented osmanthus,and the beauty of sweet-scented osmanthus.In Li Qingzhao’s three-Que osmanthus Ci-Lyrics,most of them specifically describe the external form of osmanthus fragrans.Formal beauty is the symbiosis of subject and object,and its essence lies in the harmony of things’ structural relations.Therefore,from the description of external forms of "beauty of osmanthus fragrans flowers" and "drunkenness of osmanthus fragrans flowers",we can see whether the structural relationship between the subject poet and the thing osmanthus fragrans is harmonious,and feel the emotion conveyed by the poet.In addition,Li Qingzhao described the sweet-scented osmanthus in the way of "writing the spirit in form",from two aspects: "the beauty of sweet-scented osmanthus: jasper layers,and the beauty of sweet-scented osmanthus:self-neutrality,super dust and vulgarity".In fact,it conveyed the spirit and meaning of sweet-scented osmanthus in a simplified form,metaphorically expressing the emotion,spirit and character of the poet,blooming in the flower of life of nature,which is flowers and peopleThe third chapter analyzes the two animal images of "geese" and "gulls" in Li Qingzhao’s Ci-Lyrics in detail.In the performance of Gull’s image,the poet adopts the broad horizon of "observing things by Tao",which contains the basic attitude that life with subjective consciousness respects others.In this broad vision,the poet’s subjective spirit communicates with other life in the world such as gull and heron without the help of language concept,which becomes a unique way to achieve spiritual harmony between subjects.Under the impetus of the integration of subject and object,Li Qingzhao realized the spiritual harmony between the subject of life and the natural situation,and was able to combine the "heartstrings" of spiritual freedom;In these words expressing the image of "wild goose",whether it is the words of parting from lovesickness in the young woman’s time or the words of returning to loneliness in the period after the southern crossing,the lyrical center of Li Qingzhao’s words does not focus on the theme of the times for the country and the people,but mainly on the eternal theme of human beings,that is,why people lay their souls.The writer described the resonance between life and natural ecology,formed a direct dialogue between "ecological space" and "mentality content",and showed the close relationship between "I" and natural ecology.At last,he asked the eternal theme of human beings,"How to place the soul".With the help of geese image,the poet profoundly reveals the spiritual suffering of people in real predicament.In the artistic realm of scene fusion,it is the poet’s deep call for poetic dwelling,and reveals the difficult journey of "people" on the way to "return home" in an artistic way.The fourth chapter analyzes the origin of Li Qingzhao’s ecological ideology from three aspects: hometown environment,life experience and cultural background.These three aspects have influenced Li Qingzhao’s concept of life and attitude towards life to a certain extent,and made her gain a unique understanding of herself and the world.She observes all things in nature with a quiet mind.By analyzing the images in her words,she can realize her ecological aesthetic attitude towards animals and plants and her profound understanding of the life rhythm of all things in nature.On this basis,the ecological aesthetic enlightenment in Li Qingzhao’s Ci-Lyrics is further analyzed by combining the five images which appear most frequently in Li Qingzhao’s Ci-Lyrics,among which the most prominent is Li Qingzhao’s overall ecological aesthetic attitude and poetic ecological aesthetic ideal.In a word,through the analysis and close reading of the five animal and plant images of plum blossom,chrysanthemum,sweet-scented osmanthus,geese and gull heron in Li Qingzhao’s Ci-Lyrics,we can find Li Qingzhao’s ecological attitude towards nature as a whole and the profound ecological aesthetic implication contained in her Ci-Lyrics,which has important ecological enlightenment meaning for person in present society to takes how to treat all natural things with an overall aesthetic attitude and pursue a poetic lifestyle,and at the same time,can also think greatly from literature and art. |
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