My View On Calligraphy Aesthetics In The Wei And Jin Dynasties

Calligraphy esthetics began since the text is already appeared, but not due to the time of the calligraphy art, so it is hard to find the beauty of it, to the han dynasty,calligraphy theory began to rise, until the wei and jin dynasty, calligraphy theory gradually improve, calligraphy esthetics thought is more evident, became an extremely brilliant period of Chinese calligraphy aesthetics, is a dominated by spiritual history. Wei jin calligraphy eventually later and that is the reason is complicated, this article explore aesthetic perspective, from Chinese and western aesthetic theory, finally the combination of Chinese aesthetics thought study of the formation of the wei and jin dynasty book wind, analyzes and appreciate the calligraphy art in wei-jin period. Wei jin calligraphy esthetics uniqueness lies in its humanistic feelings, because of the special social background of wei jin calligraphy by the unprecedented impact, based on the two products, the most important during the weijin period of the theme and consciously, mining wei jin calligraphy and other art correlation of the same period. Under the influence of "wei-jin demeanor", to "calligraphy is rhyme" road, calligrapher wang xizhi, Wang Xianzhi, zhong yao people is the product of humanistic thought under the influence of wei and jin dynasty,they not only has the "talk talk" way of thinking, but also through the philosophy alluding to the calligraphy art, then such a huge construction calligraphy esthetics, the rise of generation shoka for later set up a not climbing the peak, aesthetic thoughts spread so far, has had a huge impact. So in wei jin calligraphy under the mutual fusion of humanistic thought and aesthetic theory, wei and jin dynasty, with its high standing in the history of Chinese calligraphy calligraphy esthetics thought, become the essential important historical period.