Exploring Hope In Splitting - A Cultural Interpretation Of Iranian Film 's "One - Off"

In the paper,the author aimed to study Asghar Farhadi’s work Jodaeiye Nader az Simin with the theories of discourse,cultural hegemony and orientalism. It was mainly set to research two thesis which were the literary expression of culture and the cultural interpretation of literature and art for the sake of the developing of internal art.First and foremost,it comprised there reasons why I chose the film as the object, the research status and the innovation of this paper. And the there reasons were the strong impact and attraction of visual,the hiding meaning conveyed by the film editing and the social function for urging individuals to reflect. Apart from these, in this part,the author also pointed out the advantage that was typical and imagic and disadvantage that was valid among a small circle in the case study.With having classified and concluded the research status in five aspects, the author averted its weakness and made use of its merits to form the innovation of this paper.Consequently,the innovation was that the author tried to research the deep culture cause for the phenomena in the view of cultural interpretation and with the theories of discourse,cultural hegemony and orientalism.In the next place, it was about the thesis on the literary expression of culture. In this part,the paper was followed by two threads: divorce and lying. The fact of divorce was the split among tradition and modernity. The split was divided into there sections, which were the identity crisis of oneself,the context of cultural globalization,the aesthetic opposition of homoorganicity and heterogeneity and the road of hybridity and mimicry. On the other thread,the fact of lying indicated the split among mundane and religion, which had revealed the conflict among the real world an the spiritual world and the collision between the personal survival and faith. The appreciator recognized the serious split of social cohesion in Iran by the two typical characters of Nader and Razieh.And thirdly, it was about discourse analysis and the cultural interpretation, which tended to find the deep social culture reasons leading to the split among tradition and modernity and the split among mundane and religion. The social culture reasons causing the split among tradition and modernity mainly could be sorted into there categories, and there were the lack of effectual discourse,the durance of orientalism and the suppression of cultural hegemony. While the reasons resulting in the split among mundane and religion primarily came from the tie of the national tradition. Consequently, the mismatch between traditional hierarchy influenced by religion and modern social stratification and the waver faith from the harsh survival condition aggravated the split.In the end summary, the author generalized the experience by analyzing the work, and there were the literary way of the director Asghar Farhadi to express his confusion, the enlightenment of the classic case to the current Chinese literature and the attitude towards heterogeneity culture of other nation. The cordial purpose was to seek the secret of artistic literature creation.