A Study On The Artistic Characteristics Of Calligraphy In Yuan

Yuan Haowen is a generation leader of the literary world in the Jin Dynasty, He is a distinguished writer and historian between jin and yuan.he is known as great master、master the generation、great master of literature and north fumio. Besides,Yuan Haowen also talented in other areas. He is good at calligraphy, appreciation of painting/Inscriptions and antiquities. He is also familiar with the calendar, medicine, buddhist and taoist philosophy. In particular, he is expert in calligraphy and appreciation of painting. His article covered up his calligraphy achievements, Yuan Haowen’s calligraphy have higher academic position in the history of Chinese calligraphy. His calligraphy’s comment is often cited, because his known calligraphy works were less, so didn’t get more attention. By means of field research methods as far as possible to collect his works of calligraphy. From the existing works, Yuan Haowen’s calligraphy affected by the tang and song dynasty book wind is very deep. His regular script learn from Xue Ji, learn from Liu Gongquan, learn from Yan Zhenqing, learn Yu Shinan, his running script learn Su Shi and Mi Fu. In his works you can feel "Shang Tang law" of the atmosphere. This article uses the inductive method and analysis method, to collect and arrange Yuan Haowen’s calligraphy works and related materials, respectively summarizes his calligraphy aesthetic standard and the context of the development of calligraphy study though. The known calligraphy works of middle-late early three periods were studied. expounds the various periods of the calligraphy art characteristic, explain the reason of each period of calligraphy style formation. Establish the relation of calligraphy and literature and clarify the similarities between calligraphy and literature. Analyzing existing literature, fetch away the calligraphy criticism of Yuan Haowen’s remarks from, analyse it briefly. Sure Yuan Haowen status in the history of Chinese calligraphy and its influence on later generations. Further, calligraphy, calligraphy aesthetics and the book Thought can support each other and present his artistic features of calligraphy in a more three – dimensional way. This article through to the Yuan Haowen’s calligraphy works, calligraphy aesthetic standard, calligraphy study thought, analysis and discussion of painting and calligraphy criticism, tries to Yuan Haowen’s calligraphy achievements made a thorough inquiry, thus widening the Yuan Haowen research perspective, re understanding of Yuan Haowen art. Establish Yuan Haowen′s image as a calligrapher and display his calligraphy comprehensively which were overshadowed by the achievements of literary achievements. We want to make effort to a more complete understanding and awareness of Yuan Haowen.