Yuan Haowen Poetry Acceptance And Dissemination Of Research

This paper takes communication and reception of Yuan Haowen's poems as the subjects. Based on historical materials and the theory of aesthetics of reception and communication, it analyzes the communication, choice, quotation, interpretation focus of Yuan's poems. By doing that, we can see the path of communication and reception, summarize the rule, and explore the deeply politic and cultural reasons during 700 years, which is reference and clue of modern study.The preface gives brief introduction of communication and reception of Yuan Haowen's poems, the history of acceptance and the famous scholars contribution.The first chaper expounds on the communication and reception of Yuan Haowen's poems in the Jing and Yuan Dynasties, reveals the impression of Yuan Haowen and his poems in that time and discusses some of Yuan's poems communication immediately and subsequently. In this period, influenced by the politic element, the acceptance of the Yuan's poems was not comprehensive.The second chapter puts the emphasis on the communication and reception of Yuan Haowen's poems in the Ming Dynasty. The special background was the main reason of the acceptance in the valley. The valuation and interpretation of comments on poems and prefaces and postscripts embodied the vogue of respecting Tang poems, traditional and historical views of the scholars. There are stage characteristics and inclination of Yuefu poems. Li Han, Pan Shiren, Maojin played a very important role in the compilation and communication of Yuan's poems.From the third to the fifth chapter discuss communication of Yuan Haowen's poems in the Qing dynasty, with different emphases. Chapter three takes choice and communication as the subjects. there was comprehensive acceptance prosperity of Yuan's poems in that time. From anthologists, readers and the writer, we could see the regulation of the history of effects and influence and different attitudes in the various backgrounds in Qing Dynasty.Chapter four centers on comments and annotation, which has an important guiding significance of Yuan's poems. After a brief introduction, it analyzes advantages and disadvantages of the comments of Zha Shenxing, etc.The fifth chapter lays particular stress on comments on poems. Many people thought Yuan Haowen was a successful example of studying Du Fu'poems. Zhao Yi, Weng Fanggang and Pan Deyu's evaluation was especially important and provided reference for correct comprehension .Chapter six focuses on poems singing Yeshi pavilion and Yuan's poems. Through Wang Benzhi's preservations of the tomb and collecting poems, and Chen Jingtang's expansion of Yeshi pavilion and carving poems, we can see the different sides of people in flourishing age and decadent time. By the analyzing the image of Yeshi pavilion, it discloses the development of its discourse meaning, which also promoted acceptance and communication of Yuan's poems.The last chapter studies on the reception of Yuan Haowen's jue ju of discussing poetry. Many people, like Zha Shenxing had commented on Yuan Haowen's "lun shi san shi shou". Yuan Haowen's jue ju of discussing poetry were interpretation and group imitation focuses, which promotes it to be classic.