Beauty Is A Force

Wang Liping is the “Golden Screenwriter” of China’s modern family ethic play field. She has her own special charm in this very unique writing field. As an important part of China’s TV show phylogeny, her own peculiar dramaturgy and diversified artistic style truly has a great impact and is full of study value. This paper is aimed at “Golden Screenwriter” Wang Liping’s life as potential pivot, composed by her TV drama as the basic foothold, writers artistic core proposition and logical elements as important focal point, master of thought, concrete analysis through the whole attention plays in the portraits of the characters in the play, the system presents plays art creation, scheduling, and reveal the drama language exam excuse read plays the aesthetic connotation, so as to realize on the depth analysis and detailed explanation of her writers artistic.Chapter 1 is aimed at to analyze the main controlling idea of Wang Liping’s screenplays. This idea mainly presents three divisions, which are focusing on social events, concerning about emotion philosophy and embodying harmonious concepts. It not only shows people’s daily life about development of rural and urban areas but also plants a seed that pursuits the bright future of human society. It becomes one of the most outstanding characters of her screenwriting art.Chapter 2 specifically analyzes the images of all characters of Wang Liping’s screenplays. This chapter also combines character-shaping theories. It differs from the kind, thrifty and disciplined “harsh” mother-in-law image from soft, clever “agile” daughter-in-law image. It also depicts the changeable, suspicious, chatty “bad” sister-in-law image and loyal, sophisticated “tame” man image. By summarizing and defining these four images, her deep screenplay artistic skill has been expressed completely.Chapter 3 mainly to discusses the creative of Wang Liping’s play through traditional method of realism, tight suspense writing ways, tempered conflicts and narrative and cautious structure of plays. Her play realizes the integrity and unity for her play based on reality logic and haphazard tastes, show the well-informed artistic skills by using four skills that mentioned above appropriately.Chapter 4,the thesis mainly summarizes the language characteristics of Wang Liping’s TV plays. The language style of her plays is mainly for telling family gossip in simple words, refracting the characters succinctly and vividly and highlighting the geographical features drolly. The three features as said above in screenwriter language making her play not only including true and rich feelings but also realizing the aim of influencing, inspiring and purifying the mind. There is deep and profound life subtext in her language, which reflect the heavy humanistic care and philosophy of life and become an important aspect.In Chapter 5, the thesis debates about the aesthetic standard of Wang Liping’s plays based on her purpose of “success originated from truth” and “chasing the balance of roles in her play” as well as “lead a better life”. Wang Liping is called as a “Golden Editor”, who is surely worthy of it. She responds hot issues actively, and deals with readers’ problems and puzzle, arising the same feeling in their hearts. She shows self-conscious feminism and poetic feelings in expressing her remarks. Meanwhile, she melts “being fine” into happy life and harmonious society. She discerns the poetic truth, common kindness and warm beauty in the life via her humorous writing style. She expresses the thought that true love exists in the world which is the spirit of the time. This showed her profound literary background.