A Study Of The Characters In Anthony Van Dyke 's Paintings

Anthony Van Dyke is one of the representative figures of the Baroque classical oil painting, the painting for Europe and Chinese, whether from the portraiture or forms all have a profound effect. Because of the important position in the Baroque master Rubens in the history of Western art, painting achievements and works Van Dyke are not best display and appreciation. In2013December on display at the Chinese National Museum Rubens, Van Dyke and the Flemish painting-Liechtenstein Royal Collection Exhibition in the Baroque period is the first in a large number of China Netherland painting exhibition. However, in the works on display a large number of works of Rubens still obscure Vandyke portrait style. In only a few portrait works, more able to see Van Dyke in seventeenth Century’s superb painting techniques, vivid figures, the skin moist. In the study of Chinese National Museum portrait of Van Dyke after the original, the author thinks that Van Dyke’s portraits of the characters, with the historical background and the cultural phenomenon with abundant.In early seventeenth Century20, teenage van Dyck with his painting talent Lubensi was hired as the first assistant, this time to help Rubens to draw religious painting reflects the close to Rubens’ style of painting, but in Van Dyke portrayed the detail aspect, has reflected Van Dyke’s own characters and the story of the key for little certainty. In seventeenth Century20time end, van Dyck living in Italy Genoa, the Renaissance Venice school learning, and learning Titian painting, van Dyck in this period have established their own unique style of portrait painting for. Noble rich family for the arts, on behalf of the van Dyck portrait is aristocracy. The elegant figure and fine details of clothing admirable. Beginning in seventeenth Century30, van Dyck in London to realize the court painter dream, became Charlie I Royal "". The late style reflects the British royal family for the chivalry spirit of love and hunting culture for their own status. In this paper, by contrast, image analysis, for social civilization phenomenon expressed in Van Dyke’s oil painting by line analysis. After detailed analysis, on the part of contemporary oil painting Chinese lack of cultural philosophy works of reflection, the self generation of painters, only through the inheritance and development of traditional culture, to create excellent and profound works of art.