| The development of Chinese landscape painting has a history of more than one thousand years.The landscape painters have got rid of the ordinary life and sought spiritual refuge in the landscape.Landscape painting creation because of certain differences in the expression of objects,expression techniques,the painter’s thinking and understanding and specific implementation methods,the picture effect and mental outlook presented also vary from person to person.Based on the reflection of the work "The Moon and the Tide" as the title,combining the previous research results on the reflection,this paper discusses the expression of this unique virtual image from the perspective of the development of contemporary Chinese landscape painting,trying to find a kind of "illusory" and "like the real" artistic conception on the basis of the in-depth study of brush and ink techniques.Strengthen the thinking on the extension of the theme of contemporary Chinese landscape painting,and try to present the author’s understanding and attempt on the creation of "reflection" theme with practical results.The emergence of landscape painting on the theme of reflection is closely related to the influence and exchange of traditional thoughts and cultural characteristics.According to the records of painting theories and the known remains of paintings,there were works depicting reflections in the Wei,Jin and late Tang dynasties,even in the Song and Yuan Dynasties when flower-and-bird paintings were prevalent.Later in the Ming and Qing Dynasties,under the influence of "seclusion and isolation" and foreign culture,the works representing the virtual image of the reflection were praised highly by people again.After the New Culture Movement,with the exchange and reference of different cultures,the expression of reflection has attracted the attention of more Chinese painters.At the same time of inheriting the tradition,he boldly innovates and constantly expands the field of aesthetic expression,and tries to create this peculiar illusory scene.Its content is rich and diverse,the way of expression and the technique of expression are also more mature.Based on the practical experience of predecessors,as well as the reflection as a new Chinese painting creation subject,there are infinite possibilities in the form of expression,artistic conception presentation,aesthetic pursuit and many other fields.Therefore,I am full of confidence in the creation of "The Moon and the Tide".Article on the basis of their own creative practice for three years,combined with the theme of the graduation creation expression,the "reflection" in the visual effect and presentation were studied systematically,the fusion of predecessors on the writing of "reflection",on the basis of through material collection,explore creative practice,such as composition,ink and will be felt in the creation combed and summarized.It is divided into five parts.First,the introduction analyzes the cultural origin and research significance of reflection,the current research situation and results at home and abroad,and clarifies the reasons for creation and research methods.Second,the aesthetic characteristics of reflection are discussed from three aspects: space,composition,scenery and virtual image.Thirdly,by describing the creation purpose,material collection and composition of "The Moon and the Tide",the preliminary preparation and creation thought of "The Moon and the Tide" are systematically expounded.Fourthly,through material selection,brush application and ink presentation of three parts,the paper discusses the experiment and exploration of brush and ink in "The Moon and the Tide",and systematically analyzes the creation process of "The Moon and the Tide".Fifth,the creative thinking of "The Moon and the Tide" and the prospect of the extension of the theme of contemporary Chinese landscape painting creation. |
