Study On The Water Painting Program Of Jiangjiang River And Its Artistic Value

In the history of Chinese tradition painting, the program is gradually formed in the long-term artistic practice, which has the stability, the regularity of a pattern, and it is also a picture the form language different from other types. Therefore, the form has become the most traditional Chinese painting art, and the nature of things. Chinese traditional landscape painting sprung up in the Wu dynasties, and went through the development of various dynasties from Ming dynasty and Qing dynasty. In the long historical process, the painter team combined with a lot of objective environmental factors in the same philosophy, which formed a relatively unified aesthetic idea. In this fine arts creation under the guidance of concept, the painting field appeared the tendency of stylized as a whole. However, in the process of this kind of programming, two kinds of literati paintings came out because of the different cultural orientation. The legitimacy school of painting represented by "four Kings" in the ruler formed a "fair and gentle" atmosphere under the support of a set of ancient great achievement screen. Besides, a small part of the painters opens up a unique style of painting, according to their own aesthetic experience and the characteristics of the ink, which was incomparable to bring a fresh wind. Jianjiang is a representative of this expression and unique personality. Jiang has a lot of works showing Mount Hung scenery, and the visual image to see later is combined with his art experience, which formed the unprecedented performance method.Jiang’s work style stand out, a picture is often haunted with light, cool, quiet sense of escape, which has its unique programs behind the art style. This article analyzes the Jianjiang"s art led by the "four monk" at the beginning of the Qing dynasty, briefly discusses the life experience of Jianjiang, painting experience and personal temperament,excavates Jianjiang artistic style and subjective factors, and combines Jianjiang specific works of art from the aspects of composition, pen and ink and sculpt. Three big aspects are as the breakthrough point, it classifies Jianjiang art program, combined with the late Ming dynasty painting the overall tendency of stylization, and discusses the tendency of painting in the Ming and Qing dynasties stylized background, and the beauty of Jianjiang art programs. Finally, it summarizes Jianjiang art programs and has great influence on the later generations, and inspiration of contemporary artistic creation. In the learning process of traditional program, we should combine our self-knowledge and go into the reality life and artistic creation, only in these ways can we find the individual and society, national aesthetic taste and the intersection of personal emotions, which can help us achieve the final purpose. That is to say:we can create real moving work of art.